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Sunday, 29 December 2024

NEW RELEASES FROM GLENMORANGIE

 THE BACKBONE: GLENMORANGIE'S HISTORIC FOUR

                                                       NECTAR D'OR NAS      LASANTA 12YO        ORIGINAL 10YO       QUINTA RUBAN 14YO

 GLENMORANGIE'S CADBOLL ESTATE BATCH IV & MORE

ABOUT CADBOLL ESTATE

Most Scotch whisky is made from specifically identified ingredients that, at first sight could well seem to be mass produced and brought into the distillery. Once inside the confines of the establishment, patiently waiting wizards wave their wands to conjure up magical potions the consumers are waiting for. There’s undeniable flair intertwined with innate artistry and craftsmanship developed over years of experience that goes into the process, converting those unprocessed ingredients into a liquid spirit that will in due course grace the shelf, whether in a commercial establishment or at home, as whisky. But that’s not all. What if the ingredients mentioned do not come from external sources, but are totally and absolutely from within the distillery and its own lands so that it might be claimed that the end result, the whisky, is 100% local? And that’s exactly what the Cadboll Estate is for Glenmorangie: a 100% locally-produced expression from their own facility.

Factually, Glenmorangie has a fascinating backstory, with ties to Celtic lore, ancient kingdoms, and local community. The Glenmorangie logo was inspired by the mysterious and ancient Cadboll Stone, Cadboll being an old word for "home of the wildcat", as these animals were once resident there. The swirls of the Glenmorangie logo are inspired by the intricate carvings of the Stone, in tribute to the Picts of circa 800 AD who first cultivated the golden barley fields that Glenmorangie harvests today from the diminished 80-acre Cadboll Estate to provide the maltings for two distinctive high-end single malt whiskies, The Cadboll Estate Series and the Signet, the rest being outsourced.

Glenmorangie’s whisky makers use endless imagination and five key ingredients – wood, water, barley, yeast and time – to dream up delicious single malt whiskies. They’ve been honing their craft for 165+ years. Glenmorangie celebrates the joy of delicious single malt in every part of its universe, from its boutique hotel Glenmorangie House to its colourful brand campaign with its tagline “It’s Kind of Delicious and Wonderful”, Glenmorangie invites whisky lovers old and new to see themselves in Glenmorangie’s world. 

Like most distilleries in Great Britain, the Glenmorangie distillery halted production between 1931 > 1936 and between 1941 > 1945, but was back to full capacity by 1948. Within just a couple of years, the demand had dramatically increased and in 1977 the distillery doubled its capacity from two stills to four and doubled again in 1990 to a total of eight. In the 1980s, the distillery purchased 600 acres of land surrounding the facility to preserve their water supply. The owners also acquired Glen Moray, more as a maltings provider than as an own-brand producer.

Throughout all this history, from the pioneering Matheson family to the Macdonald and Muir families through other owners, the Macdonald and Muirs along with Durham & Co had bought in in 1918; ultimately, it was the Macdonalds who edged out the others and retained final ownership of the distillery. In 2004, the French spirits company LVMH Moët Hennessy – Louis Vuitton SE purchased the distillery outright. Glen Moray was sold off, and it went on to become a leading single malt whisky producer in its own right. Until this point, the company had focussed on their flagship spirit, but the new owners brought redesigned curved bottles and the desire to experiment with different flavours and barrels for ageing their spirit.

Glenmorangie has been the bestselling single malt in Scotland since 1983, and globally they hold 6% of the total single malt whisky market.

       
                                               BATCHES 1 > 4

Glenmorangie’s Cadboll Estate Scotch whisky is about as local as you can get. The Estate is located just moments from the distillery on the fertile Easter Ross Peninsula, between the Moray and Dornoch Firths. This secluded area, with its expansive skies, endless barley fields, and beautiful beaches, is sparsely populated and rarely visited. Inspired to share the essence of Glenmorangie with fans worldwide, the whisky creators crafted a whisky from field to glass, giving birth to the Cadboll Estate series. What makes it so unique is that this expression uses only barley that is grown and harvested from exclusively in eight fields on Glenmorangie’s own estate farms, which are malted and cooked using water from the local Tarlogie spring that runs through the nearby hills.

After fermentation, the wort and then the wash is distilled in the tallest pot stills in Scotland. Standing at a towering 26 feet high, there are two reasons why this is important: first, the height ensures that only the lighter (and sweeter) compounds make it over the top and into the collection barrels. Second, the added journey also exposes those vapours to the copper in the still for a longer period of time which (through a chemical reaction with the copper) strips out more of the offensive sulphur compounds. Three separate expressions have been released from The Cadboll Estate.

GLENMORANGIE CADBOLL ESTATE BATCH 4

Astonishingly rich and silky, the latest release of Glenmorangie The Cadboll Estate takes their single-estate whisky’s creamy character to new heights of deliciousness.

Crafted from barley grown in just eight fields on their own Estate located near the distillery, this grain-to-glass series bottles the spirit and flavour of a Highland single malt Scotch whisky’s homeland for whisky lovers everywhere. To celebrate the Cadboll harvest of 2007, their whisky creators matured its precious spirit in their renowned designer casks.

Hand-hewn from select American white oaks, air-dried, and seasoned with bourbon to their exacting specifications, these casks are custom-made to bring Glenmorangie’s soft spirit to its best. Aged 15 years in that wood, the fourth batch release of Glenmorangie The Cadboll Estate is uniquely full and silky, enriched with notes of honeycomb, apricots, and pears, which becomes pronounced and floral with the addition of a few drops of water, with a creamy, complex palate and a spicy finish. The packaging of this edition also stands out with its elegance, with details and decorations evoking the large expanses of barley around the distillery and the preciousness of the casks used.

Glenmorangie The Cadboll Estate 15 Year Old Batch 4 has been bottled at 43% ABV and has a RRP of £76 and will be available from specialist online whisky shops.

Producer’s Tasting Notes

COLOUR: Deep Gold

NOSE: Beautifully aromatic, honeyed and sweet, with tastes of almond, marzipan, honeycomb, melon and pear. Vanilla crème anglaise is present, along with a touch of mint. With a small splash of water, some classic floral notes emerge, with jasmine, lavender and rose, along with a fresh burst of mandarin orange and apricot.

PALATE: The texture is smooth and creamy, and is immediately followed by an explosion of complex, colourful flavours: zesty lemon and mandarin orange, menthol and eucalyptus, vanilla and honeycomb, ripe pear and melon. Sweet spices tempered by butter candy.

FINISH: Full and rich, but gentle and soothing at the same time, rounded off by a lingering mentholic note.


GLENMORANGIE THE ORIGINAL 12 YEARS OLD

      
                                                             

The malt whisky Glenmorangie produced and first released by the founders in 1847 was a trifle rough at an ABV of 63.5%, but three years of maturation saw the whisky of 175 years ago gain recognition for its mellow tones and delicacy of flavour. The single malt market opened up a mite in the early 1900s and as Irish whisky faded away, the value of prolonged maturation in proper oak casks was realised. Aged Blended Scotch was the rage, but they required good aged single malt whiskies to blend. Once the deleterious after-effects of the two great wars and the American Prohibition had died down by the 1950s, Glenmorangie, which was a malt whisky subscriber to famous blended whiskies, found that one specific single malt whisky they were producing and supplying was a champion in its own right. They then made the momentous decision of ageing this strain for ten years, a finessing of one of its original spirits. Thus was the Original 10-Year-Old born, the year 1959, to soon vie for the honour of the most popular single malt in Scotland. 

All through the subsequent years, The Original remained at the heart of everything they did. To cement the made in giraffe-high stills The Original as a delicious, go-anywhere class expression, they aged it 10 years in bourbon casks to absorb a predicted manner of delectable flavours. When the single malt craze set in in the 1990s, this was the go-to single expression!

Time has tricks up its sleeve. The original Original 10YO (see Pic. above) metamorphosed into the bright new Original 10YO in 2022. When Glenmorangie’s tasting panel began experimenting with the latter Original, they discovered that this smooth single malt gains extra silkiness, sweetness, and complexity when aged for 12 years instead of 10. Thus, Glenmorangie decided to launch an older Original to bring more joy to whisky drinkers worldwide. Swirling with creamy vanilla and a rush of citrus, layered with honey and peach, the Original 12 Year Old single malt is said to take The Original 10 Year Old's kaleidoscope of flavours to new heights of deliciousness. Some critics have already responded with delight, awarding it a coveted gold medal at the prestigious World Whiskies Awards 2024. I can't quite agree with the prelude. Utter the word Glenmorangie and two institutions come to mind; LMVH and Dr. Bill Lumsden.

LMVH wanted the Original to be re-imagined and a decision was made to present it in true Glenmorangie style as a 12-Year-Old. The casks to be used were to be in specific Glenmorangie mould, grown in their own portion of the oak forest range in the Ozark Mountains of Missouri, United States. Glenmorangie uses a number of different cask types, with all products being matured in their own white oak casks. These new casks are left to air for two years before being leased to distillers Jack Daniel's and Heaven Hill for them to mature bourbon in for four years using their own starting and finishing style. Glenmorangie then uses the barrels only twice to mature their spirit. The old Original range was matured entirely in ex-bourbon casks for 10 years, while the Extra Matured range of bottlings are transferred at the 10-year stage into casks that were previously used to mature other products such as wine, port or sherry in a process called finishing. This is Dr. Lumsden's forte.

That ten-year phase for the Original became twelve; In early July this year Glenmorangie announced that its flagship single malt whisky, the Glenmorangie Original 10 Year Old will henceforth be bottled as a 12 Year Old. Hence it is now matured for 12 years in a combination of first fill and refill American ex-bourbon oak casks.

Producer’s Tasting Notes

COLOUR: Bright Gold.

NOSE: A little fruity and floral, sweet creamy vanilla interlaced with delicate sweet citrus notes of orange and some distant peach. A little toffee, a hint of honey and some gentle bourbon oak lurk in the background.

PALATE: Vanilla with a lovely gentle spiced edge leads along with some lovely orange citrus, a little toasted oak and honey and a wee touch of Demerara sugar sweetened coconut ice. A slight bit of a honeyed edge and late touch of peach and almond.

FINISH: Deliciously long, mild barley sugar sweetness interlaced with gentle oak spice, creamy vanilla and orange citrus which all slowly fade out to leave some gentle, slightly drying, lingering honey and almond.

OVERALL: The extra 2 years maturation has given the whisky a slightly more bourbon like edge, a touch more oak and gentle spice, still full of Glenmorangie's signature orange citrus and vanilla, every bit as good as the 10-year-old it replaces. The ABV remains 40%. But it does nothing extra for me; not worth the hike in price by ~10€.

      
                                                 


GLENMORANGIE TRIPLE CASK RESERVE

Rich and subtly spiced, this Glenmorangie expression brings new dimensions to their wide range of single malt whiskies.

Inspired by the natural splendour of the Highlands to create a deep harmony of flavours, their whisky makers have married together three carefully chosen types of casks. Uniting bourbon casks and new charred oak with rye whisky casks – rarely used in the Scotch whisky industry – this bottling abounds with notes of pear, candied orange, honeysuckle and clove.

Rye whiskies are known for their spicy character –pepper and other baking spices, such as cinnamon or cloves, as well as fresh or herbal undertones which would carry over into whiskies aged in ex-rye barrels. By uniting these three different cask types in Glenmorangie Triple Cask Reserve, they have created a deeply harmonious whisky. Using their oak combination, they celebrate their whisky’s classic, fruity sweetness. Laced with the savoury notes and subtle spice of rye whisky casks, this whisky brings a new balance of flavours to their expanding core range. Bottled at 40% ABV, the NAS whisky is available in most markets at ~£30/ $US38.

Tasting Notes:

COLOUR: Brassy gold/ Paprika.

NOSE: Tropical, with a combination of pears, vanilla, candied orange peel, honeysuckle, grapefruit, golden syrup and coffee -flavoured boiled sweets. Some gentle spices are present, such as cinnamon, clove and nutmeg, followed by more sweetness. Woody and earthy aromas lurk in the background alongside a lingering note of cocoa.

PALATE: The mouthfeel is creamy and viscous, with a burst of creme brulée, cherry chocolate, fudge, tangy orange sherbet, clove, sweet chilli, and tropical fruits. Then comes the influence from the oak wood, with maple syrup, almond marzipan and subtle spices. Red apples and cherries. Dark caramel and aromatic wood. An almost refreshing note, something like peppermint. A distinctive influence from the ex-rye casks, perhaps? A generally deeper and richer flavour than the nose would suggest.

FINISH: Rich, sweet, spicy and almost chewy in nature. Lingers, but eventually gives way to an unexpected faintly drying sensation. The influence of the rye cask in particular, while not overwhelming, is definitely noticeable.

OVERALL: If you’re not a fan of rye whisky, then this one might not be to your taste. Otherwise, nothing special.


GLENMORANGIE CALVADOS CASK FINISH

Glenmorangie is known for its experiments in cask finishing. Led by their Director of Whisky Creation, they craft their delicate, fruity spirit in stills as tall as a giraffe to allow more space for taste and aroma, then age it in some of the finest casks around, their very own which are forged in the USA and return to them after six years, when they will be used only twice.

Glenmorangie’s latest release from the Barrel Select Cask series reveals a uniquely fruity and floral whisky – their first ever finished in French Calvados casks. Presented in a resplendent golden hue, the Glenmorangie Calvados Cask Finish is bottled at 46% ABV, ensuring a perfect balance of strength and refinement.

The Glenmorangie Calvados Cask Finish is the fifth release in the series of small  batch single malts, which explores the flavours that arise from different cask finishes. Entwining scents of jasmine with baked apples and pears, this rare 12-year-old bottling offers new mellow depths to Glenmorangie’s signature fruity tones.

In this experiment, their Director of Whisky Creation took a whisky which had spent more than 10 years ageing in American white oak bourbon casks, for Glenmorangie’s elegant style. He transferred that whisky into casks which, for 20 years, had held Calvados du Pays d’Auge, from Normandy, in France. Soft and delectably rich, Glenmorangie Calvados Cask Finish unites mellow fruits of baked apples and pears with subtle notes of jasmine, narcissus and vanilla.

Producer’s Tasting Notes

COLOUR: Bright Gold

NOSE: A most fragrant whisky at full strength, with notes of baked apples, pears, vanilla, almond and a slightly waxy note. The fruity and more apple-forward lunge— that’ll be the calvados cask influence—is more than the typical Glenmorangie. With water, some fragrant, floral notes emerge, like narcissus, jasmine and heather honey. Finally, the aroma of baking sweet pastries is found.

PALATE: The mouthfeel is oily and spicy at the same time, and leads into a burst of rich sweet flavours. Baked pears, toffee apple, almond marzipan, star anise and chocolate praline are found, along with some lemon balsam, eucalyptus and a touch of charcoal.

FINISH: Long, lingering and almost slightly cooling in nature.

OVERALL: This libation is a symphony of sensory delight, characterised by a vibrant bouquet of aromas and a palate of intriguing complexity, though steep at $100.


GLENMORANGIE A TALE OF ICE CREAM

"With notes of peach melba, lemon sorbet, coconut flakes, and rich vanilla, sipping A Tale of Ice Cream is like sinking your spoon into a carousel of flavour. Glenmorangie invites whisky lovers old and new to indulge their sweet tooth and enjoy this ultimate treat!”

Sweet, indulgent and wondrously creamy, the north Highland distillery of Glenmorangie has launched the fifth bottling in its annual Tales series of single malts - the Glenmorangie A Tale of Ice Cream. Glenmorangie’s latest limited edition encapsulates the ice cream parlour’s delights. Their fifth release in the award-winning series showcases the relentless imagination of that distillery’s whisky creators.

Glenmorangie’s “A Tale Of” series showcases the distillery’s penchant for innovation and creative cask finishing, pushing the boundaries of traditional scotch whisky. The series is distinct in how it merges thematic storytelling with carefully curated taste profiles, appealing to whisky enthusiasts looking for variety and novelty. Each bottle is an exploration, standing apart from Glenmorangie’s core range by introducing flavours that evoke vivid imagery and experiences. Each release explores a unique theme, from “A Tale of Winter,” which captures the essence of a cozy, spiced winter dram, to “A Tale of Cake,” which brings out vibrant, dessert-like sweetness. In “A Tale of the Forest,” Glenmorangie leans into botanical influences, using barrels with forest-inspired elements to create earthy, complex flavours. In A Tale Of Tokyo, the whisky fuses disparate notes to provide a unique and complex flavour profile resulting from the recipe of Mizunara oak, Bourbon and Sherry casks, a whisky as full of delicious sensory contrasts as Tokyo and its many sensory dimensions. These expressions show Glenmorangie’s commitment to crafting whiskies that engage the senses and reflect unconventional inspiration. The latest addition, “A Tale of Ice Cream,” continues this trend, bringing a fresh, dessert-inspired twist to the collection.

Some time ago, a thought process began to imagine how to could capture the lavish flavours found in an ice cream parlour in a single malt, bringing out even more sweet and creamy vanilla-like flavours in Glenmorangie’s spirit. And after a host of experiments, the Blending team united single malt aged in bourbon casks with their first whisky finished in high-vanillin casks. High-vanillin casks are new oak casks toasted uniquely to increase the concentration of vanillin—an aromatic compound that imparts vanilla flavours to whisky. The result was more vanilla qualities; rippling with notes of ripe peaches, vanilla and coconut, A Tale of Ice Cream takes Glenmorangie’s sweet, fruity flavours to a decadent peak. This whisky’s pastel-toned presentation box evokes the mouth-watering hues, swirls of sauce, textures, and toppings found in the most luxurious ice cream parlours.

As the name might suggest, this is a sweet and palatable single malt that may well be perfect for a whisky beginner, a great but expensive way to start the tyro’s journey into Scotch whisky. It would be worthwhile noting that the whisky does not contain vanilla extract, which would disqualify this Scotch whisky.

Tasting Notes

COLOUR: Deep gold

NOSE: The nose is laced with expressive aromas. Vanilla pod and butterscotch rise first and are quickly joined by some woody spices - especially cinnamon and mace. Further aromas of caramelised peach drizzled in honey, marzipan and bitter orange oil also come through nice. Some white chocolate, vanilla custard and a hint of fresh coconut evolve with time.

PALATE: In the mouth, this whisky has a silky, creamy and luxurious feel. It grips the taste buds. Luscious notes of apricot patisserie, vanilla custard and butterscotch rise first, and are quickly joined by brioche bread, fresh honeycomb straight from the hive and some white chocolate. Hints of cocoa powder and creamed coconut sit in the background. While the palate is largely driven by sweeter characteristics to begin with, later savoury notes begin to develop. These add superb balance. Imagine a combination of toasted almond, cinnamon bark and bitter orange peel married with freshly sawn oak, gingerbread and a drop of clove oil. These savoury notes add depth and complexity, but do not take away from the lusciousness.

FINISH: The finish is of decent length. It is the savoury notes that linger but the sweeter elements take their time to dissipate from your taste buds. The patisserie notes fade first, then the fruit. This leaves the warming wood and baking spices to play on the tongue. This is a delicious experience. The fresh vanilla pod characteristic endures throughout however, and is joined right at the death by a hint of sweet orange fondant.

OVERALL: A Tale of Ice Cream feels like going 'back to basics'. The introduction of the high-vanillin virgin American oak casks has dialled the classic notes up a notch or two, and the result is delicious. A Tale of Ice Cream carries no age statement, but Glenmorangie’s base expression is at least a decade old. It is packaged at 46% ABV (92°) and is non-chill filtered and naturally coloured. Steep at $101.00.

Thursday, 26 December 2024

BEST WHISKIES TROPHY SEASON 2024-25

 IWSC announces 2024 Spirits trophy winners

The International Wine & Spirit Competition is an annual wine and spirit competition founded in 1969. Each year the competition receives thousands of entries from over 90 countries worldwide. The awards given by the competition are considered as high honours in the industry.

The IWSC is more than a competition. It is a global wine and spirits community, focussed on people and expertise. Their mission is to champion the best wine and spirits from around the world by taking a personal approach to each competitor’s needs by offering comprehensive business support via a network of world-class experts aiming to bring this global community together to share insights and help each other grow. They don’t just champion award winners, they seek out undiscovered talent and help competitors – large and small – reach ambitious targets and achieve their goals.

The IWSC is organised so that all wines are tasted blind. Glasses are poured prior to the arrival of the judges, so even the bottles and shapes remain unknown. The judges themselves are drawn from an eclectic range of wine-related industries such as winemaking, wine-writing, distilling, retailing, distribution and hospitality. The medals the competition awards are bronze (75–79 points), silver (80–89 points) and gold (90–100 points). For class-winning wines, the mention 'Best in Class' is appended to the medal and award. Trophies are also awarded every year to products, producers, retail companies and individuals.

100 international judges gathered in London in June to taste over 4,000 spirits entries from around the world in the prestigious International Wines & Spirits Competion 2024. More than 3,760 medals were awarded, 500 of which were gold and over 100 gold outstanding medals in various categories, encompassing the wide world of Spirits.

In October, members of the Spirits Judging Committee were tasked with re-tasting all the 2024 gold-winning spirits, selecting the very best as the year's trophy winners.

Homing in on Whisky, the IWSC celebrates excellence in whisky from around the globe, with an ever increasing number of distilleries putting forward their wares for recognition, acclaim, global identity and increase in markets. With a distinguished panel of judges and a commitment to quality, these awards recognise the craftsmanship, diversity, and innovation within the whisky industry.

Scotch whisky is always one of the most eagerly anticipated categories at the IWSC and this year was no different. Four trophies were awarded to Scotch single malts: Tomatin Distillery Legacy Single Malt Scotch Whisky, East Asia Whisky Company 35 YO Manta Ray Genesis Bunnahabhain Distillery Single Malt Scotch Whisky, Cask 88 Imperial Distillery The Bothy 25 YO Single Malt Scotch Whisky and Loch Lomond Whiskies 12 YO Inchmurrin Single Malt Scotch Whisky. Another trophy went to a blended Scotch - Diageo Johnnie Walker High Rye Blended Scotch Whisky.

A large number of entries were from the numerous new distilleries that are sprouting across Scotland, each with esoteric qualities and individual approaches to maturing whisky and cask control.

Tomatin Distillery, Legacy Single Malt Scotch Whisky

The IWSC Judging Panel described the Tomatin single malt Scotch whisky as featuring succulent aromas of lychee, creamy vanilla, and warm cinnamon. A fabulously luscious flavour profile with a heavenly finish, defined by apricot sweetness.

East Asia Whisky Company, 35 YO Manta Ray Genesis Bunnahabhain Distillery Single Malt Scotch Whisky

The IWSC Judging Panel described this independent Bunnahabhain bottling as showcasing beautiful nose showing an elegant and rich expression of wonderful aromas, dried fruit, lime peel, sea salt, lovely floral hints, dates, and figs. Rich, velvety, and savoury palate, waxy notes, and oak tannins end on a finish that lasts forever.

Cask 88, Imperial Distillery, The Bothy 25 YO Single Malt Scotch Whisky

The IWSC Judging Panel described this independent bottling of Scottish single malt as exhibiting orgeous citrus-driven nose with rhubarb and custard sweets, a lovely, complex palate with citrus, rhubarb, cinnamon, and chocolate notes. Finish with a hint of biscuity sweetness. It has a lovely fruity complexity for its age, lovely.

Loch Lomond Whiskies, 12 YO Inchmurrin Single Malt Scotch Whisky

The IWSC Judging Panel described the Loch Lomond single malt Scotch whisky as showing a rounded, polished nose of summer fruit in a subtle whisper of peat smoke, continuing to a lovely viscous texture on the palate with bright tropical fruit notes from lingering sweet blackcurrant citrus, melon, mango, peach, and grapefruit and an impressively long and elegantly sweet finish.

Diageo, Johnnie Walker High Rye Blended Scotch Whisky

The IWSC Judging Panel described this new, innovative blended Scotch whisky as expressing treacle (syrupy) toffee aromas swirled with subtle smoke textures to give complexity to the palate, with well-integrated characters and an elegant sweetness on the finish that gives a delightful all-rounded mouthfeel.

OTHER SILVER AWARD WINNERS WITH RANK

Old Monk XXX Very Old Vatted 7-Year-Old Blend Rum, India Rank 61
Amrut Indian Single Malt Whisky, NAS India Rank 225
Rampur Double Cask Single Malt Whisky, NAS, India Rank 414
Monkey Shoulder Blended Malt Scotch Whisky NAS, Rank 754
Chivas Regal Gold Signature 18-Year-Old Rank 1124
The Glenlivet 18 Years Old Single Malt Scotch Whisky Rank 1492
Ardbeg Ten-Year-Old Single Malt Scotch Whisky Rank 1915
Ardbeg 'Corryvreckan' Single Malt Scotch Whisky NAS Rank 4305
Amrut Cask Strength Single Malt Whisky, NAS, India Rank 5545

Also, the previous week saw The World Whisky Awards announcing the GOLD medalists from the Scotch whisky judging. The final judging for the World’s Best Whiskies occurs in London in February 2025.



The winners of the World Whiskies Awards Scotland go on to compete with the winners of the French, Irish, Canadian, Japanese, American, and Rest of The World categories. After the final judging Feb 2025, the winners of the World’s Best awards for 2025 will be revealed in London, the following month.

The full list of single malt and blended Scotch winners for the World Whiskies Awards Scotland 2025 are:

SINGLE MALT SCOTCH WHISKY

SCOTCH CAMPBELTOWN:

No Age Statement: Glen Scotia, Double Cask Rum Finish

13–20 Years Old: Glen Scotia, Icons of Campbeltown Release No.2

21 Years & Over: Glen Scotia, 25 Years Old

SCOTCH HIGHLANDS

No Age Statement: Glenmorangie Signet Reserve

12 Years & Under: Loch Lomond, Inchmurrin 12 Years Old

13–20 Years Old: Loch Lomond, Waypoint Series — Falls of Falloch 16 Years Old

21 Years & Over: Royal Brackla, Sherry Cask Finish 25 Years Old

SCOTCH ISLANDS (NON-ISLAY):

No Age Statement: Arran, The Bodega — Sherry Cask

12 Years & Under: Arran, 10 Years Old

13–20 Years Old: Jura, 14 Years Old

SCOTCH ISLAY

No Age Statement: Ardbeg Corryvreckan

12 Years & Under: Ben Bracken, Islay Single Malt Scotch

13–20 Years Old: Ardbeg, 17 Years Old

21 Years & Over: Ardbeg, 25 Years Old

SCOTCH LOWLANDS

No Age Statement: Holyrood Distillery Embra

12 Years & Under: Bonnington, Single Malt Scotch Sherry Cask

13–20 Years Old: Bladnoch, 16 Years Old

21 Years & Over: Rosebank, Single Malt Scotch 32 Years Old

SCOTCH SPEYSIDE

No Age Statement: Glen Moray Phoenix Rising

12 Years & Under: The GlenAllachie, Speyside Single Malt 12 Years Old

13–20 Years Old: Craigellachie, 19 Years Old

21 Years & Over: Secret Speyside, Glen Keith 31 Years Old

BLENDED SCOTCH WHISKY

No Age Statement

GOLD

Woven, Homemade Blended Whisky

The Borders Distillery, WS:02 The Long and Short of It

Ardray, Blended Scotch

SILVER                                                 

D'yavol, Vortex

Lauder's, Blended Scotch

Islay Mist, Double Peated

Royal Salute, 62 Gun Salute

Compass Box, Nectarosity

BRONZE

Sir Edward's, Blended Smoky Scotch

Ballantine's Finest

Compass Box, The Travelling Circus

12 Years & Under:

GOLD

Scottish Leader

Original Dewar’s, 12 Years Old

SILVER

Thompson Bros, TB/BSW Windsor, 12 Years Old

BRONZE

Hankey Bannister, Regency 12 Years Old

Chivas Regal, 12 Years Old

Ballantine's, 10 Years Old

13 to 20 Years:

GOLD

White Heather, 15 Years Old

Dewar's, Blended Scotch 18 Years Old

Chivas Regal, Ultis XX

21 Years & Over:

GOLD

Dewar's, Double Double 21 Years Old

                                     

SILVER

Antiquary, 30 Years Old

Dewar's, Double Double 26 Years Old

BRONZE

Windsor, 21 Years Old

Antiquary, 21 Years Old

Dewar's, Double Double 27 Years Old

Royal Salute, Cognac Cask Finish 24Years Old

Antiquary, 30 Years Old

Dewar's, Double Double 26 Years Old

Earlier, in March, the Single Malt Whisky of the Year was won by GODAWAN CENTURY from India in the London Spirits Competition 2024.



Monday, 23 December 2024

THE HISTORY OF BALLANTINE'S

 THE BALLANTINE STORY: THROUGH THE HISTORY OF SCOTCH

As I have often stated in the past, Ireland was the first European country to distil Aqua Vitae, Uisce Beatha, circa 1408 anglicised to become whisky/whiskey around 1715-1740. Scotland followed soon thereafter, but on a very low scale when compared to Ireland. Its scattered distilleries were to produce aqua vitae less than or a hundred thousand gallon per annum mark at the most, vis-à-vis Ireland which was distilling in the millions of gallons. 


The introduction of the Coffey or Patent Still in 1832 led to a veritable boycott of its product in Ireland. This Still produced whiskey from a grain bill continuously, unlike pot stills which rarely produced more than one batch of whiskey from malted barley before stopping for cleaning and repair of its components. The Irish termed this as a loathsome brew, with no taste or flavour, and could not be classified as a whiskey, certainly not in whiskey-loving Ireland, far removed from perhaps a whisky in ‘distant’ Scotland. The ABV of most malt and blended malt whiskies was in the 62-65% range and was drunk either neat or cut with soda, usually Schwheppes, or water. When blending of grain whiskies with malt whiskies was permitted in 1860-63, the Irish continued their offensive against Blended Scotch whisky, but only to their detriment, as Blended Scotch proved popular globally. The taste and flavour improved considerably while the strength of the whisky could be reduced to the 50% ABV range, making the spirit more savoury, appetising and easier to drink. The decline became obvious in the late 1890s, when Scotch whisky inexorably took over the global market, hitherto dominated by the Irish. Worse was to follow.

Distilleries in Ireland were affected by WW I (1914-18); their war of independence from the British and their own civil war (1919-21) which also added to the earlier famine-caused migration of locals to the USA (where they called their spirit whiskey); prohibition in the USA, their second largest market (1920-33); widespread counterfeiting of Irish whiskeys in America and Britain; British trade restrictions (sanctions) which cost the Irish the highly lucrative and dispersed Commonwealth market, and WWII. A glorious chapter of the whisky industry had to be closed, to next resurface in the following millenium.

A Cottage Industry

From the first attempts to make whisky until the 19th century, distilling was largely a cottage industry, closely tied to the cycle of the seasons. The Highlander would sow his hardy barley seeds in spring, harvest his crop in late summer and dry the grain throughout the winter. The discarded straw was used for his animals and to insulate his cottage floor. By March, when ice had disappeared from the streams, distilling began.

A small copper pot still often stood in the corner of the cottage, heated by a fire of glowing peat blocks. The fermenting mixture of home-grown barley and stream water was heated and the vapour passed down a tube immersed in water. Distillation in crude pot stills was something like simmering beer in the kettle and cooling the vapour.

The raw, condensed spirit was not matured but decanted into jugs and small casks for immediate use. Whisky was a communal, convivial spirit, believed to have medicinal properties, and often exchanged with clan neighbours for rent, goods or services rendered. It became a cornerstone of community life. At one time it was used for barter, almost as a form of currency. In the 16th century, for instance, a farm in Kintyre paid six quarts of whisky as rent.

Barley used for making whisky was also paid as rent to clan chiefs. On occasions, when they received more than was required for distilling, the surplus would be used by the clan for brewing ale. However, it was whisky that remained central to community life. There was scarcely a farmer who did not convert his surplus grain into whisky, which was a more negotiable currency than gold or silver.

The disapproving while influential Scottish church launched a sobriety drive as early as 1579, when restrictions were placed on its manufacture. Parliament, equally concerned about drunkenness and lawless behaviour, tried to confiscate whisky in the Western Isles in 1609 after riots and feuds by drunken gangs. But the only effect of seizing local whisky was to stimulate smuggling. Further attempts to curb production and consumption of aqua vitae only brought out the rebellious blood of every good Scot.                                                                     

The first levy on whisky made by the Scottish parliament in 1644 sparked widespread anger in Scotland. Within months almost the entire country turned to smuggling. It was readily accepted by some workmen as wages. As long as magistrates made a point of imposing moderate fines, there was no earthly reason why they should not continue to reap a worthwhile return. Magistrates were clearly on the side of the smugglers as many had a vested interest in outlaw distilling and imposed only face-saving fines. English revenue officers poured across the border in a determined effort to collect tax in 1707. Ninety years later, they were still trying.

In those days, Scots drank huge quantities of whisky and wine, far more than anyone today would contemplate. In 1770, the French traveller Louis Simond wrote that the average Highlander consumed about a quart (roughly a litre) of whisky a day. Heavy drinking was common in the 16th and 17th centuries.

Whisky, easily made from local grain and water, remained cheap in rural areas where duty was often ignored. In 1770, for example, the best whisky from Ferintosh and Glenlivet cost 1s 10d (about 9p) a Scots pint (the equivalent of three British pints). In 1782, about 1,940 stills were seized with little effect on whisky production. Distilling became an act of patriotism and Scots saw no good reason for paying for the privilege of making their own national drink.


Ardbeg distillery on Islay, a keynote malt in Ballantine's 17 Years Old, was situated in a remote bay and built like a fortress. Rebel whisky-makers had a fearsome reputation for defending it. In the end, it was captured only when excise officers waited until the gang sailed to the mainland with a shipment, leaving the distillery empty. The duty men moved in, smashing the stills and destroying the building. Ardbeg later took out a licence and was rebuilt.

Some of the finest illicit whisky came from Speyside, which now has the highest concentration of distilleries in Scotland. More than 200 stills operated in Glenlivet alone, hidden in caves, concealed by branches or packed up and moved from place to place at night on horseback. When the water supply was considered too precious to move the still, the site was hidden deep in the countryside and the burn diverted to supply it. Rebel distillers near Dufftown, on Speyside, diverted a stream from Ben Rinnes, which currently supplies several famous distilleries, by digging a ditch for almost a mile under cover of darkness.

In the Highlands, nearly every farmer had his own still and the greatest ingenuity was shown, not only in carrying out the various brewing and distilling processes, but in warning one another of the approach of the itinerant exciseman. When the farmers saw the gauger approaching on horseback, they made haste to raise the alarm by hoisting sheets or flags on the top of peat stacks, so as to give everyone a chance to hide their precious whisky utensils.

In 1820, a typical year, more than 14,000 raids were carried out, but the authorities still struggled to collect taxes. Demand was so heavy that whisky was sold straight from the still, without having time to age. A few aristocrats and Highland gentlemen kept their whisky in wine and sherry casks. Herbs such as thyme, mint, sugar and spices were added to blunt the hot, raw taste of newly-distilled spirit. Often, it was drunk in cordials, punches or toddies to disguise the rough smoky pungency.

By the early 1800s, whisky was fast becoming the most important industry in Scotland. Half the quantity sold was made illegally, often by skilled distillers bankrupted by excise duty. Harsh taxes had put some of the best whisky-producers out of business. Five companies, who supplied 50 per cent of all legally-produced Scotch, ceased trading in 1788, owing the exciseman a combined total of £110,000 (in excess of £163 million at today's prices).

Revival

The revival of Scottish culture was officially endorsed when George IV visited Scotland in 1822 and publicly tasted a glass of outlawed Glenlivet whisky. The King's taste for whisky, flamboyantly taken in public in full Highland regalia, revived a fashion for the tartan, whisky and all things Scottish. Indirectly, the raising of a royal dram helped to heal the rift between the two nations. That same year, one of Scotland's largest landowners, the Duke of Gordon, on whose lands George Smith's The Glenlivet distillery was housed, persuaded the House of Lords of the sense in encouraging legal distilling. Whisky, he argued, was the traditional drink of the Highlands and ultimately no one could be prevented from distilling it. Far better to bring the smugglers in from the cold. As a result, the excise dept. finally capitulated and introduced a reasonable licence fee for distilling in 1823.

The Act enabled distillers to operate without fear of prosecution by paying a licence fee on all stills with a capacity of 40 gallons or over. Skilled craftsmen welcomed the opportunity to work without risking imprisonment. Many who came in from the cold selected the same sites and water sources to keep up the high standards of their smuggling days.

The Glenlivet Distillery
Along with The Glenlivet, two distilleries to apply for licences were Balblair and Miltonduff, previously flourishing centres of whisky smuggling, now both important malts in Ballantine's 17 Years Old. Miltonduff, surrounded by rich fields of barley, was a great smuggling centre where production ran uninterrupted. Another of the earliest distilleries to go legitimate was Glendronach, a smooth, buttery malt which has been in production since 1826. Whisky-making made its first step from a cottage craft to a major international industry. With peace returned to the industry, whisky entered an era of expansion and innovation in which entrepreneurs like George Ballantine made an important contribution.

Enter 'The Apprentice'

In 1822, a horse-drawn farm cart rattled through the rolling Peebleshire hills on the road to Edinburgh. However, it was not one of farmer Archibald Ballantine's usual trips to the city for supplies. That morning, he had dressed in his Sunday best before leaving the patchwork fields of his farm at Broughton-Home.

Beside him on the 25-mile journey rode his 13-year-old son George, clutching a travelling bag. Father and son had an appointment with a lawyer to sign papers apprenticing young George for the next five years to Andrew Hunter, an Edinburgh grocer and dealer in wines and spirits. That day, as the lawyer, the grocer and the farmer scratched their signatures at the foot of the young boy's indentures, none could have imagined they were witnessing the start of a career which would take his name around the world.

For the next five years, George carried sacks of flour, oats and dried goods while acquiring an expert knowledge of what was a good wine or a fine malt whisky. He learned the art of providing a service and dealing with people civilly, whatever their background. George emerged from his apprenticeship a quiet, intelligent young man with a polite manner who held the single thought of becoming an entrepreneur. His master Andrew Hunter wished him well with a reference, recorded in copperplate hand, that George had served him 'faithfully, assiduously and honestly' during his apprenticeship.

The Apprentice's First Business

At the age of 19, in 1827, Ballantine was ready to set up in business in his own right. He had absorbed everything Andrew Hunter had taught him and refined and elevated his own tastes in the process.

The time could not have been more favourable for selling high quality food and spirits. Revolutions in agriculture and industry had transformed working methods and mechanised production, creating a new atmosphere of affluence. With its magnificent architecture, Edinburgh was Scotland's cultural centre, celebrating exciting developments in the sciences and a golden era in the arts. As the nation's capital enjoyed a boom economy, George Ballantine set about marketing his talents amongst the city's wealthy merchants and professionals.

George hunted for premises within the scope of his humble savings and opened his first grocery store in Edinburgh's Cowgate. Not the most fashionable side of the city, but a bustling trade district of narrow alleys, hay carts and hostelries packed late into the night with roistering cattle-drovers. From these teeming, unlikely surroundings grew one of the world's most distinguished whisky companies. Today, Ballantine's is synonymous with excellence in more than 160 countries - an achievement made possible by the exacting standards of quality founder George Ballantine insisted upon at each stage of his long career.

Initial Stage

His first shop, and the second in nearby Candlemakers' Row to which he moved in 1831, at the age of 23, soon built a reputation. As the address suggests, it was originally a narrow street where candlemakers had congregated after a fire in their former district near St. Giles Cathedral. It also attracted skilled craftsmen, such as bookbinders, saddlemakers and stained-glass artists. George, with his own specialised skills, was in good company as he climbed a ladder to fix a newly-painted sign above the store. It read grandly: 'Wine Merchants and Grocers'.  The young entrepreneur lived simply in rented accommodation, concentrating all his efforts on building his business. Over the next ten years he improved the company, attracting an ever-increasing number of loyal customers.

By 1836, when he was 28, he had raised enough capital to expand to prestigious South Bridge, around the corner from Edinburgh's fashionable Princes Street. This was closer to the heart of Edinburgh Society and the type of customer he felt in tune with. Demand for higher quality whiskies among the gentry and nobility had helped him attract some of the eminent writers, academics and medical men who were drawn to Edinburgh at the time.

In the back of the shop there would certainly have been a cask or two of malts the company specially recommended, such as Glenlivet, or Talisker from the newly-licensed distillery on Skye, for favoured customers. When orders were taken and business done, goods would have been delivered by horse and trap or a boy on a bicycle.

In 1842 George married Isabella Mann, the daughter of an Inverness grain merchant, and they moved into an imposing house in fashionable George Square. The business, with its commitment to service and quality, prospered and expanded, helped by their sons George and Archibald and grandson, George III. It was in surroundings like these, amid the warm glow of polished wood and the aroma of good food and drink, that the art of blending fine whisky really took shape.

The Rise of Blending

Use of the Coffey, or Patent still resulted in a huge increase in whisky production. The bland spirit sold well in England, where drinkers preferred its smoothness and found it an attractive alternative to gin. At the time, there was no legislation defining what constituted Scotch whisky. Malt distillers claimed the description could be applied to their product alone, and not to a characterless spirit which could be distilled anywhere, from any type of grain.

The question of whisky definition had become a long dispute, with two test cases, arguments in the High Court and a Royal Commission. In 1909, the government finally ruled that grain whisky could be described as Scotch. The legal definition of whisky, which remains to this day, was established as 'a spirit obtained by distillation from a mash of cereal grain, saccharified by the diastase of malt.'

In 1853, around the time the definition debate would have started and at a period when single-malt sales had slumped to a record low, Andrew Usher, a friend of George Ballantine and fellow Edinburgh spirit merchant, succeeded in blending a whisky from malts of different ages. George, as a friend of Usher, was close to the experiments. He saw the significance of this development and, as an entrepreneur, lost no time turning it to good use.

The idea of blending was not entirely new. Spirit dealers and tavern owners at the lower end of the market had been quietly mixing together cheap whiskies for some time to boost their profits. However, George knew that what Andrew Usher had set out to achieve was a product greater than the sum of its constituent parts. After hearing of his friend's first effort - Usher's Old Vatted Glenlivet was a blend of various Glenlivets(22 distilleries used Glenlivet as a suffix) mixed or 'vatted' together as the name suggests - George Ballantine experimented with grains and malts to elevate blending to a fine art.

At the time, there was no law about what Scotch whisky should be. Some unscrupulous traders were even diluting whisky with Spanish neutral spirit to increase their profit. In parallel with this unsavoury side, there were reputable merchants, such as Ballantine's, who saw blending as an art form. They worked to create something lighter and more sophisticated. A high quality product.

What exactly did these early blends taste like - were they as sophisticated as the Ballantine's enjoyed today? Whiskies enjoyed by wealthy Victorians in Edinburgh bore little resemblance to de luxe whiskies like Ballantine's 17 Years Old. Because the recipes relied on only a handful of whiskies, the finished product lacked the layers of flavour we have come to appreciate.

These early standardised blends probably contained whiskies from about six distilleries. In order to give the blends a good flavour, small quantities of the much admired expensive whiskies from distilling areas like Islay and Campbeltown seem to have been introduced. The resulting drink was much lighter than the traditional single malts and much less likely to cause severe hangovers. Blending skills developed and spirit merchants began to mix malt and grain from different distilleries, creating set recipes to produce standard blends.

At first, they would perhaps stumble on a particularly fine combination. Customers who enjoyed the blend would ask them to repeat it, or sometimes bring a bottle of Scotch for their spirit merchant to reproduce. In this way, recipes and named blends evolved. Experts in fine whisky, like Ballantine, drew on their depth of knowledge and experience. They improved recipes, drawing out new dimensions of flavour. It was from this foundation of quality and attention to detail that Ballantine's reputation grew.

George passed on his knowledge to his eldest son, Archibald, eventually entrusting the Edinburgh business to him. In 1869, excited by the potential of blended whisky, he moved to Glasgow with Isabella and the younger children to become more involved in this new development.

Coincidentally, in 1858, a disaster of tremendous proportions gave sales an unexpected boost. The French grape crop failed and, for 35 successive years, vineyards were ravaged by viruses, the worst being phylloxera, leaving no wine stocks to make brandy. The English ruling classes, desperate for a spirit of quality, turned to blended Scotch in their hundreds. Thus it was in Glasgow, from elegant premises at 100 Union Street, that George concentrated on building up the sale of wholesale whisky and turning his expertise to perfecting his own blends - the forerunners of 17 Years Old.

As blended whiskies made to set recipes created their own market, the names of blenders featured prominently on the label. Many, like George Ballantine's, sold directly through advertisements in English magazines, cutting out agents and London merchants.

The Family Business

By the late 1800s, George Ballantine was well-established as a blender, with markets throughout Britain and overseas. His knowledge of malts and the effects of ageing on quality and flavour enabled him to produce a range of highly-praised whiskies noted for their smoothness on the palate.

The company marketed its own branded malts - Talisker, a heavy, peaty whisky from the Isle of Skye; Old Glenlivet, a famously mellow malt from the Highlands; and the premium blend, Ballantine's Fine Old Highland Whisky - all bottled with the Ballantine name prominently on the label.

The tireless efforts of noted blenders like Ballantine led to a deeper understanding of whisky - the discovery of the effects of maturing and agreeable results of maturing whisky in casks that once held sherry. George Ballantine's innovation and imagination helped establish blended Scotch as the leading international drink. By 1881, the year of Isabella's death, Ballantine's shops and warehouses were exporting Ballantine's blended whisky to a worldwide market.

Eventually George remarried, leaving the business in the capable hands of his sons, who combined the Edinburgh and Glasgow operations and purchased a bonded warehouse to concentrate on developing whisky exports.

Ballantine's entry in the 1891 guide, Stratten's Glasgow & Its Environs, was a fitting tribute. It described the company as having 'a high reputation as blenders of fine old Highland whisky, representing various selected distillations blended before maturing in sherry wood. An aggregate of between ten and twenty thousand gallons is frequently comprised in the firm's bonded stocks . The firm has long ensured that uniformity, next to the rich and meritorious qualifications of the spirit itself, is its principal feature.

George retired to Edinburgh, where he died peacefully in 1891 at the age of 82. His epitaph, in Edinburgh's leading newspaper, recognised his inestimable contribution: 'He gave to Messrs. Ballantine,' it said, 'a prestige of which no development of modern trade can dispossess them'.

Four years later, in 1895, Archibald fulfilled his father's ambition and opened a shop on Edinburgh's elegant Princes Street. It remained open, patronised by fashionable society, until the retail side of the business was phased out in 1938. The name of Ballantine had arrived, both nationally and internationally.

George Junior, steering Ballantine's fortunes in Glasgow, achieved another of his father's dreams in the same year when Queen Victoria, known to favour a dram after climbing Scottish mountains on holiday, awarded the company a Royal Warrant on her visit to the city. It was an indication of the prestigious reputation Ballantine's had acquired in high society. The approval of the Queen herself, head of the Empire, helped Ballantine's international growth in the decades to come.

A Byword In Class

By the middle of the 19th century, George Ballantine had built steady custom in London through magazine advertising, and found sales of his blends gaining ground.

While single malts have been described as whisky equivalents of domain-bottled wines, distinctive in character and identity, Ballantine's fine blended whiskies proved that the whole could have greater depth and dimension than the sum of its parts. George discovered that the success of his blends lay in their broad appeal - sufficiently smooth to satisfy the popular end of lay the market, yet sophisticated enough to attract the attention of connoisseurs.

Ballantine's blends began to acquire a familiar identity in trying to appeal to the broadest possible taste. They were smooth, not too peaty or oaky; dry, but not too dry - to use an old Scottish word, not too much wershness. There is also a certain sweetness that comes from maturation in good wood.

By the time the 20th century dawned, Ballantine's was listed in the Glasgow telephone directory under five different headings: Wine merchants to H.M. The King; Exporters of Old Scotch Whisky; Scotch Whisky Merchants; Wine Importers; and Importers of Havana Cigars.

The company, firmly established as an exporter since 1880, expanded in Glasgow under the guidance of George Ballantine II and his brother Archibald's son, George Ballantine III. The two Georges, son and grandson of the founder, were cultured men who ran their business in the dignified tradition of the best of the old British wine and spirit firms. Despite the new age, their dealings were characterised by a 19th-century courtesy and decorum, which ensured the company's standing in cosmopolitan Glasgow and its thriving cultural, artistic and social scene.

The impact Ballantine's had made both at home and abroad eventually took its toll on the directors. George Ballantine, the founder's son, was 69 years old and ready to retire. His nephew, George Ballantine III, had worked hard to establish the company's influence on Glasgow's commercial scene and, at 46, decided it was time to hand over the business to other interests as it faced the next phase of international expansion.

It was the end of the Ballantine family connection and the end of an era. In 1919, they accepted a generous offer from a formidable partnership of established entrepreneurs, James Barclay and R.A. McKinlay, who set themselves the task of transforming Ballantine's from a family business to a world leader in blended whisky exports.

The Barclay & McKinlay Phase

The area in which the new owners perhaps saw the greatest potential was that while its blends were selling well, the company had not yet effectively established its own name as a brand. So Ballantine's moved from a family-run period in which it had expanded from single shop to major blender, to an era of intense export and marketing which would firmly establish its name internationally.

Barclay and McKinlay were perfectly matched business partners. James Barclay already had strong links with the American market through his own whisky company. He had begun his career as a 30p a week office boy at Benrinnes malt distillery in the Highlands. As a young man, he rolled up his sleeves and learned the business 'hands on', soon becoming one of the outstanding characters of the Scotch whisky industry.

McKinlay, in contrast, was neither forceful nor opinionated. He presented a figure of refinement in his expensively tailored suits and hand-made silk ties, renowned as a wine connoisseur and an expert with a formidable 'nose' for whisky.

As a curtain-raiser to the acquisition of Ballantine's, British Prime Minister Lloyd George had introduced an important wartime regulation a few years earlier. All Scotch whisky by law now had to be matured for a minimum of three years. The legislation elevated Scotch's status, resulting in a keen interest in the whole business of blending, labelling and ageing worldwide, especially in the growing American market where Scotch whisky was seen increasingly as a status drink.

Barclay and McKinlay's greatest challenge came a few months after purchasing the company when their biggest market, North America, passed the Volstead Act, banning the consumption of alcohol. With customers eager for their brands and a government equally determined to block their sale, only the most resourceful whisky marketers were likely to survive.

The American market had such potential that, despite Prohibition, there was a feeling that if distributors were keen to purchase, then it would be foolish to take a moral stance. Curiously, Irish whiskey distillers were urged by the church to take a moral standpoint and, as a result, lost their dominance in the American market to the Scots.

Some Scottish entrepreneurs, like James Barclay, were raffish figures who led adventurous lives - often lucky to hang onto them. He never spoke of his dangerous deals during Prohibition. The only time a hint came to light was back in Scotland when Bill Craig, manager of Balblair distillery, asked if there was any truth in rumours of beatings and shoot-outs in the scramble to deliver whisky consignments to America. Barclay said nothing, but removed his jacket and shirt to reveal a mass of scars across his back.

By using contacts in Canada and the West Indies, Barclay was able to establish a distribution network to his trading partners at Manhattan's celebrated 21 Club. America, dry, thirsty and desperate for Scotch, was unprepared for Ballantine's. Americans were used to the raw burn of rye which was fine in its place. The task was to teach them that here was quality. To introduce them to a whisky that melted in your mouth, not burned in it.

Re-educating the American palate turned into a crusade. As James Barclay became a regular passenger on the great ocean liners plying between Britain and New York, such as the Mauretania and the Queen Mary, Ballantine's became a familiar fixture on dining room menus. Its acceptance by wealthy international passengers smoothed its path into the USA, where it eventually rose to become one of the handful of best-selling brands.

When the Volstead Act was repealed in 1933, their partners went legitimate and formed an up-market food and whisky import company, called 21 Brands, becoming agents for Ballantine's. Their unshakeable enthusiasm enabled Ballantine's to capture the American market and establish itself as a truly international name.

For a brief period they hired a good-looking young Englishman to sell Ballantine's for them. David Niven, trying to get a break in movies, wasn't really cut out for the job. Years later, in his best-selling autobiography, The Moon's A Balloon, he recalled his brief career selling Ballantine's: 'The first day at work, I was sent to FBI headquarters to have my fingerprints taken and to be photographed with a number round my neck, and to this day at "21" is that picture of me: underneath is written - "Our First and Worst Salesman".'

One of Barclay's closest friends and most valued partners throughout Prohibition was Harry Hatch, a Toronto businessman and head of Canadian distillers Hiram Walker Gooderham & Worts. Despite the boom in American orders, business back in Scotland was struggling through a recession. Most companies were affected and only 15 distilleries were operating in 1933.

In the same way that Barclay and McKinlay had made the Ballantine family an offer it had found hard to refuse, Hiram Walker stepped in after the end of Prohibition and took over the company in 1935. After developing the art of blending under George and his sons and expanding internationally with Barclay and McKinlay, Ballantine's entered a period of growth and investment which ensured its future.

Hiram Walker Steps In

Hiram Walker showed deep understanding of Scotch whisky distilling. The Canadians lost no time setting about acquiring malt distilleries essential to Ballantine's blends. They interfered very little in production, wisely leaving the business of making Scotch whisky to Scotsmen. For many years, all the profits were ploughed back into Hiram Walker (Scotland), established in 1937.

Jack Barclay was commissioned by Harry Hatch to shop around for good malt whisky distilleries. He acquired Miltonduff and Glenburgie in 1936, and immediately embarked on expansion programmes, while elsewhere Harry Hatch worked on other plans.

Ballantine's blends relied on malt whisky stocks which were now more secure, but grain spirit still had to be purchased from competitors. While Jack Barclay bought malt distilleries, Harry Hatch laid down plans to turn an old shipyard on the banks of the River Leven, in Dumbarton, into the largest grain distillery in Europe.

Dumbarton Rock, rising 73 metres (240ft) from the Clyde, was the ancient stronghold of the Kingdom of Strathclyde and has been fortified since the 5th century. The town of Dumbarton, huddled around the shipyard - now Ballantine's headquarters - was created a Royal burgh in 1222 and rivalled Glasgow as a market town.

A site steeped in history seemed appropriate for Ballantine's to put down roots. More than 600 men worked on the grain distillery when construction began in 1937. Incorporated into the site were a small malt distillery, Inverleven, extensive warehousing and a bottling and blending plant.

The consolidation of administration and operations meant that Ballantine's headquarters moved to Dumbarton, where blending was headed by George Robertson. During this period of expansion, the company continued to maintain its high standards by recruiting only the finest craftsmen in the region.

The elegant premises at 100 Union Street, Glasgow, where George Ballantine had experimented with his first blends, closed, bringing to an end a remarkable era in the history of Scotch whisky.

Growth

On the day the Dumbarton plant was officially opened - 28 September 1938 - the British navy was mobilised in preparation for war. But Ballantine's survived wartime austerity, and food and fuel crises, to set the standard for Scotch throughout the world.

Hiram Walker (Scotland) continued to take over the management of malt distilleries - at Glencadam, on the edge of the Highlands; Scapa in the windswept Orkneys; and Balblair - lending its expertise to improve their business. It was a time of consolidation. The company invested in Robert Kilgour, malted barley manufacturers in Kirkcaldy, to secure grain supplies and built maturation houses for 4 million gallons of whisky at Dumbuck, in Dumbarton.

Sales of Ballantine's rose to record levels in an era of remarkable vision and flourishing expansion. A new complex opened at Kilmalid, a few miles from Dumbarton, in 1977 - the most advanced blending plant in Europe with a filling and blending capacity of 40 million proof bottles. A state-of-the-art bottling plant opened on the site in 1982. As the number of operational bottling lines grew, the staff came to grips with the sophisticated computer software needed to deal with more than 100 different sizes and shapes of bottles.

There were 2,700 different labels to deal with and the complex warehouse and despatch facility took time to become familiar with. By the autumn of 1983, Kilmalid was dealing with approximately four million dozen bottling and despatch requirements a year, and a single bottling line was processing 300 bottles a minute. The final cost of the operation, which was £43million, was one percent below the original estimate.

The Ballantine’s Finest brand was now a world leader, bottled and blended at Kilmalid, and along with the 17 and 30-year-olds, sold a total of nearly 20 million litres on the world market. The Inverleven malt distillery resumed mashing in 1984 and the grain distillery operated a threeday week from January to May. The grain distillery was soon back in business.

The total cost of the Kilmalid bottling plant, which handles more than 100 million bottles a year, came to £ 43 million. Such was the faith of Hiram Walker in Ballantine's that board approval was given only hours after Managing Director Alistair Cunningham presented the project.

In 1987 Hiram Walker (Scotland) merged with Allied Lyons, bringing Ballantine's into the distinguished company of Teacher's whisky, Harvey's sherries, Cockburn's ports, Courvoisier cognac and Tia Maria liqueur. The new phase brought a change in style. There was expansion in marketing and distribution and more malt distilleries were brought into the fold, including Glendronach, Ardmore and Laphroaig.

The spirits division, Allied Distillers, began operating in 1988 as the second largest whisky company worldwide and the only industry major with its headquarters entirely in Scotland. From the Dumbarton home established by Hiram Walker, it manages its production from grain to glass with its own cereal and malting company, Kilgour's, 13 malt and two grain distilleries, as well as the most advanced bottling plant in the industry at Kilmalid.

All ADL's brands are major players in the world's markets, with Ballantine's of primary importance. Today, Ballantine's and its premium 17 Years Old approach the millennium as a flagship company of Allied Domecq Spirits and Wines, the wines and spirits sector of Allied Domecq plc, a group selling more than 8.5 million cases of whisky annually, of which 80 per cent is enjoyed outside Scotland.

Ballantine's 21 Year Old Blended Scotch was introduced in 1993. It is the fourth oldest expression in the Ballantine's core range, following the Ballantine's 23, 30 and 40 Year Olds. This blend is known for its rich and complex flavour profile, which is achieved through a higher proportion of spirit matured in European oak barrels. At the 2024 World Whisky Awards, Ballantine’s 30 YO was honored with two prestigious titles: World’s Best Blended Whisky and Best Scottish Blended Whisky 21 Years & Over. Ballantine's 21 Year Old won Gold.

In 1994, ADL was presented with a Queen's Award for Exports and was the first whisky company to receive a Royal Warrant for a single malt brand - Laphroaig.

The Evolution 

One of the most memorable stories about former Master Blender Jack Goudy's talent for detecting lapses in quality happened several years ago when he uncorked a malt whisky sample. It came from an outside company in the hope that Ballantine's might purchase some to use in its blends. Jack poured a small quantity and duly inserted his famous nose in the tulip glass. After sniffing for several seconds, he shook his head in rejection. There was a flavour in the malt that was completely out of place.

Jack dialled the distilley manager who had sent the sample and informed him that there was iron in his whisky. Absolutely impossible, the manager insisted, indignantly denying it. However, Jack was adamant that his whisky was second-rate. He declined to order any and they parted on good terms, agreeing to differ about whether the whisky tasted strangely or not.

Some time later, the manager phoned Jack and sheepishly admitted the famous nose had been right after all. They had just cleaned out a vat and, to their embarrassment, discovered that a distillery worker had left a pair of stepladders inside the last time maintenance was carried out. The steps were wooden with iron nails.

Since its earliest days, Ballantine's reputation has been shaped and guided by blenders who insisted on quality. From founder George Ballantine and his sons, to James Barclay and R.A. McKinlay and the long line of blenders who have passed on their knowledge down the years.

Because of the mysteries of the maturation process, some whiskies tend to mature before others. As the spirit interacts with the wood, each malt reaches its optimum year. Beyond the point of achieving its equilibrium, it ceases to noticeably change and improve. Creating a new blend involves the highly skilled task of identifying malts at their best and estimating their availability over the coming years. There would be nothing more frustrating than creating a perfect blend only to find that, years down the line, key ingredients were in short supply.

When Barclay and McKinlay bought the company from the Ballantine family, they laid down malts which slumbered in casks through Prohibition and changes in world history to emerge as mature, rounded whiskies in the 1930s, when Hiram Walker assumed control. In addition, premium malts from the newly-purchased distilleries at Miltonduff and Glenburgie were considered to be of rare quality.

Added to this was the fact that some malts in the Hiram Walker portfolio had reached exceptional maturity, even the youngest was not aged for less than 17 years, and they were therefore considered perfect examples of whiskies in their prime.

James Barclay, who had an excellent nose for whisky, decided that there had never been a better time to create the ultimate aged blend and gathered around him experts whose wisdom he could trust. Among them James Horn, a friend and associate who had studied whiskies for most of his life, and George Robertson, who became the first Master Blender of the Hiram Walker era at Ballantine's. George, who had married Barclay's sister, entered the industry in the customs service, but left to learn the business of making whisky from the ground floor. He acquired blending skills at several distilleries, accumulating a formidable wealth of knowledge along the way.

The trio would meet to nose samples in George Robertson's oak-panelled blending room. After taking careful account of the age at which each malt reached perfection, he decided that the optimum age was a blend at least 17 years old. James Barclay, his associate James Horn and the Hiram Walker management agreed with his judgement. Sample batches were blended in 1937 and acclaimed by the company's experts. It was the birth of 'The Scotch', Ballantine's 17 Years Old.

The closely-guarded recipe mixed in vats 60 years ago has remained largely unchanged ever since. George Robertson's original selection of malts to form the 'fingerprint' of 17 Years Old was an elite group described by the Scotch Whisky Association as 'Ballantine's magnificent seven': pungent Ardbeg from Islay; Pulteney, the northernmost mainland distillery; Scapa, an after-dinner malt from Orkney; creamy Glencadam; Balblair with its spicy notes; the flowery fragrance of Miltonduff and the summer flavours of Glenburgie.

The principal malts were selected from a tapestry of regional whiskies celebrating Scotland's history, the riches of its landscape and the skills of its people. With such outstanding ingredients, Ballantine's 17 Years Old had a smoothness and elegance that instantly set it apart.

The first small consignments to roll off the production line late in 1938 were shipped to 21 Brands in America and the US Virgin Islands. Thanks to the efforts of Barclay and McKinlay, backed by Kriendler and Berns at 21 Brands, Ballantine's had become one of the most popular brands in America, a symbol of taste and sophistication.

'This product was different simply because it was so distinctive,' says Richard Puddephatt, of Ballantine's Brand Integrity Department. 'At the time there was not another 17 years old blend anywhere on the market. It was quite unique.'

17 Years Old was considered very special and had to be seen to be different in every way. A decision was taken to package it in a style which reflected its importance. The bottle was green, a deliberate choice which immediately set it apart from other Ballantine's products, at the time in uniformly-coloured amber bottles.

'The sides of the bottle, if you observe closely, are slightly tapered, not straight like most whisky bottles,' Richard points out. 'The neck is quite squat and reminiscent of a malt whisky pot still. Perhaps someone who designed it all those years ago saw it as a tribute to the hand-crafted skills of the pot stillmen that went into it. As with many classics, the shape has remained unchanged.'

The WW II Phase

In 1939, the world was embroiled in war. As the conflict lengthened, vital supplies of barley and stocks of new malt whisky dried up. Ballantine's 17 Years Old, made from old matured stock, continued to be blended and shipped to America, but it was clear that serious shortages were on the way.

When war was declared, the government imposed a tax on whisky which increased the price of a bottle by 14 per cent. Desperate for dollar earnings to boost the war effort, the authorities pressured whisky companies to step up overseas sales.

As Ballantine's was among the foremost exporters, cargoes of blended whisky set sail for America escorted by warships. With production down, home sales hit by tax, grain in short supply and men called up for the armed forces, whisky production slumped. In 1942, another duty increase pushed up the price of a bottle by 60 per cent.

For two years, no whisky was produced at Dumbarton. Only existing stocks of Ballantine's were exported as the Admiralty took over the distillery yard and the Ministry of Food commandeered warehouses. 

Demand for distinctive 17 Years Old, considered the smoothest international Scotch, was heavy. To eke out supplies to America and Canada, Hiram Walker had to juggle stocks of Ballantine's 28 Years Old and 31 Years Old aged blends. For many years, 17 Years Old had to be strictly rationed and sometimes faced acute shortages.

Rejuvenation Peace and the post-war years brought a boom time for 17 Years Old as the global economy changed up a gear from austerity to plenty.

The Japanese, who had their own long-established spirits industry, were very knowledgeable about whisky and particularly interested in international aged brands. The full effect began to be felt in the early 1950s, when Japanese businessmen travelling overseas discovered the delights of 17 Years Old. They took bottles home and its fame spread by word of mouth.

One of the prime reasons for its popularity was that its highly sophisticated taste and subtle layers of flavour were suited to the Japanese palate, which is particularly sensitive to the nuances of good food and drink.

Like several of the world's classic whiskies, its reputation grew slowly as people discovered its quality. In 1952, Japan received its first shipments and its fame among those who appreciate fine whisky began to gain pace. Its launch in Tokyo the following year was a cause for double celebration - by coincidence it was also the coronation of Queen Elizabeth II.

The newest whisky in Japan was not only the most unique blend, but also the most expensive. 'From the earliest days the advertising was stark, almost minimalist,' explains Richard Puddephatt, 'because the product said it all. When there was only one Scotch, there was little more you needed to add.'

Japanese executives appreciated what Ballantine's blenders had set out to achieve in 17 Years Old. The reputation of The Scotch spread almost on its quality alone.

One of the reasons for the popularity of 17 Years Old among people who appreciate fine whisky is that it travels so well. Drinking styles differ around the world. Some people prefer their Scotch neat, others with a little water or, as in Japan, with ice. 17 Years Old has an ability to blend with international lifestyles.

Two bottles of Ballantine’s were being sold every second and the Dumbarton-distilled, bottled and packaged whisky became the third best-selling whisky in the world. But the end of the year, when Steve McCann retired and Alistair Cunningham took over, was the end of an era. In 1987 the merger took place of Hiram Walker (Canada) and Allied Vintners, a subsidiary of Allied Lyons plc.

New brands such as Teachers whisky and Harvey’s Bristol Cream were brought into the fold as the new company stepped up its marketing operation. Remarkable things happened. British Open Golf Champion, Sandy Lyle, sponsored by Ballantine’s, won the US Tournament Players’ Championship.

A former London taxi bearing the Ballantine’s emblem was to be seen in Abidjan, capital of the Ivory Coast. A Ballantine’s Club was opened in Budapest and the Canary Islands were the venue for a Ballantine’s tennis tournament. By the end of 1987, Ballantine’s sold 4.4 million cases and was moving up the ranks in the league table for the world’s leading Scotch whisky brand. In 2007 Ballentine's won gold in all six categories at the Whisky Master Awards.

Everything changes with time. By the Spring of 2017 the Ballantine’s distilling, bottling and blending operation at Castle Street had been razed to the ground. The two million red bricks imported from the United States 80 years earlier had been ground into rubble to make way for a new housing and shopping complex. Meanwhile, now owned by Chivas, the whole emphasis had shifted away to Kilmalid where exciting changes were taking place.

There would be a new blending plant and bottling hall on the banks of the River Leven with a magnificent outlook to Loch Lomond and the Argyllshire Hills. It has been welcomed by the Scottish Government and West Dunbartonshire Council as something which will guarantee hundreds of jobs and raise the spirits of the whole community here.

Ballantine's Finest is Europe's No 1 Scotch whisky and also was voted World's Best Blended Scotch 2020. 'Only an exceptionally good whisky can adapt to that extent without bruising easily,' observes Ballantine's Director of Trade Relations, Hector MacLennan.

In November 2024, Ballantine’s released its first single grain expression, named Ballantine’s Single Distillery, a permanent addition to the brand’s range. The expression was created by master blender Sandy Hyslop by blending grain whiskies from Strathclyde Distillery, which has played a significant role in Ballantine’s blends for decades. The new release embodies Ballantine’s expertise in whisky blending with its double cask finish; the rum cask bringing exotic notes and the extra charred American oak barrels adding aromas. The resulting Scotch boasts a balanced taste profile, with a notable depth of flavour and extra smoothness. In an era of malt dominated whiskies, Ballantine’s Single Distillery and its delicate and refined palate offers whisky fans a Scotch made up entirely sans malt that delivers on character and sophistication, without compromising on the distinctive tasting notes that make the brand so special.



Sources: Suntory 
pressreader.com/uk/lennox-herald 
moneycontrol.com 

First published on 09 Nov 2021