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Saturday, 22 July 2017

BLENDS ON THE DECLINE IN THE SCOTCH WHISKY MARKET

SINGLE MALTS HERE TO STAY



From the late 1990s onwards there was a predictability about Scotch Whisky sales. Almost every year the Scotch Whisky Association (SWA) would announce another record-breaking performance in terms of volume and value in export markets around the world. Scotch was thriving and achieving growth in a comfortingly diverse range of locations. 



And by ‘Scotch’ the implication was, essentially, Blended Scotch. This is because-- increasing interest in single malts notwithstanding-- in terms of pure statistics, Blends have remained the big game in town on a global basis, still accounting in volume terms for some 83% of all scotch sales this year, 2015. What was not brought out by the SWA was that Blends had accounted for 91% of all scotch sales in 2010 and 90% the year after next, 2012. Single Malt sales had shot up 26% in value, over 2012! 


Then, in September 2014, the SWA declared that all was not so rosy in the scotch whisky garden. A statement from the SWA declared: “While scotch whisky exports to some key markets, such as France and Taiwan, increased in the first six months of 2014, the overall trend was downwards with economic headwinds and uncertainty having an impact.”


This was followed on April 1 this year by the news that “weaker economic conditions and political volatility in some markets saw the value of scotch whisky exports decline 7% to £3.95bn in 2014 from £4.26bn the previous year”, although during the calendar year there was significant volume and value growth in a number of important markets, such as India, Thailand and Japan.


Although single malts have seen growth in some markets, particularly those that are more ‘mature’ in terms of whisky sales, in many countries malts barely sell and blends are really the only game in town. All such averments came to naught when single malt Scotch whisky clocked a record year of export sales in 2016, topping £1 billion ($1.25 billion) for the first time. This achievement is attributed to growth in sales among luxury and prestige markets.

They dominate in Singapore, for example, reflecting its role as a gateway for much of Asia, where blends generally sell much greater quantities than malts. Overall, Singapore is the world’s third-largest scotch whisky market in terms of value. Meanwhile, in the Americas, Mexico and Brazil, occupying 9th and 10th places in the ‘value’ table, are overwhelmingly blend markets.


So just where is blended scotch performing well against the overall trends for scotch as a category, and how are producers and their marketing teams ensuring its success in those territories? Growth went beyond just the single malt market as overall export sales of Scotch whisky, including blends, reached nearly £4 billion, following three consecutive years of decline from a peak of £4.27 billion in 2012 to £3.85 billion in 2015.


The Scotch Whisky Association has already identified India as a key market for Scotch post-Brexit, flagging it as one of most important countries to strike a trade deal with after the UK leaves the EU. Late last year the SWA stated: “Brexit poses challenges and uncertainty but also brings opportunities if the UK can secure favourable bilateral trade deals with key export markets. India, for example, is a growing market for Scotch but we are being held back by a 150% import tariff. EU talks with India have proved challenging for a decade now and we hope the UK will now take a fresh approach to securing an ambitious trade agreement.”


The US remains by far the largest export market for scotch in value terms, both blended and malt, with Diageo’s Johnnie Walker being the leading super-premium blended scotch. Despite a worldwide drop of 12% in sales during 2014, the Johnnie Walker family remains the world’s best-selling blended brand, with almost 20% of global blended scotch sales being accounted for by entry-level Johnnie Walker Red Label and first step up Black Label. 

                                   

Johnnie Walker may be a firm favourite in the US but, according to a Diageo head of whisky outreach Dr Nick Morgan: “Buchanan’s, now at more than 350,000 cases, is one of the hottest scotch brands in North America. In the six months to the end of December 2014, net sales were up 33% as it continued to leverage its strong connection with the Hispanic community. Scotch volume in the US continues to decline, but value is growing – this is a continuation of a 10-year trend toward premiumisation in the category.” 


Latin America remains a region with great potential for Blended Scotch, with Diageo’s Buchanan’s and Old Parr Tribute recording strong growth in Columbia. Morgan notes: “In Mexico broad distribution, along with the media campaign Keep Walking Mexico, drove Johnnie Walker Red Label’s 40% contribution to net sales growth. We also introduced Black & White to participate in the segment, resulting in net sales growth of 70%.” 


With blended scotch sales falling significantly across the board in mainland China, “marketing spend for Johnnie Walker is being focussed on the modern on-trade to improve profitability,” according to Morgan, “and to launch Johnnie Walker Double Black and test new campaigns in the more profitable off-trade channel to build new occasions for scotch”. He adds: “Marketing spend in China was also focussed on Johnnie Walker Blue Label and the Johnnie Walker Houses, including the addition of the Johnnie Walker House in Chengdu.”


Africa is increasingly being viewed as a key blended scotch whisky continent, and Morgan says: “Johnnie Walker’s net sales were up 15% in Africa in the first half. The brand more than doubled in Angola and showed strong growth in other African countries, including South Africa, where Johnnie Walker Black Label and Red Label net sales were up 13% and 17% respectively, supported by the Where Flavour is King and Johnnie & Ginger campaigns that focus on quality and liquid credentials.”


In terms of recent releases, Johnnie Walker has added a huge number of expressions since 1910. These are limited annual editions, designed to showcase different elements of Johnnie Walker’s character – to date ‘smoke’ and ‘fruit’. Essentially they are bottlings intended to compete in terms of liquid quality and prestige with high-end single malts and alternative spirits, rather than other blends, as price tags around the £475/£550 mark reflect. 


There is more to it, though. Johnnie Walker is pushing out Blue Label series on any excuse or occasion. Their massive collection of aged whiskies (>50 years) is showing signs of Angel's Share damage. The once 63.5% ABV casks are dropping alarmingly below 40%-they cannot be sold as Scotch Whisky any more, as the minimum ABV must be 40%. NAS expressions are rolling out non-stop, as younger malts at 42-50% ABV are being blended with the dying aged malts and being sold at 40% ABV and more-at usurious prices, I must add!


Third place in the global blended scotch top 10 behind Johnnie Walker Red Label and Black Label goes to Pernod Ricard’s Ballantine’s range of blends. Global brand director Peter Moore says: “Our latest half-yearly figures for Ballantine’s are pleasing. Volumes were up 6% and organic sales growth 5%. Asia remains our biggest challenge, though there is positive momentum in Japan.”


Latin America has seen strong performances for Ballantine’s, with double-digit growth and, specifically, a 40% volume increase in Brazil. “We’ve done lots of promotional work in Brazil around music with a high level of digital material,” says Moore. “The brand has been in Brazil for a very long time, but we’re at an early stage of development in Mexico. However, we are doing well there.”  


Moore also nominates Africa, India and eastern Europe as markets where Ballantine’s sales have been strong, noting that: “In Europe, we are also seeing greater stability in markets such as Spain [where overall scotch whisky volumes rose by 1% in 2014], with positive signs during the past three or four months, after six years of decline.”


Scotch whisky exports to France, the biggest market by volume and second biggest by value, were up 2% to £445m and 3% to 183m bottles in 2014. Moore says: “We’ve seen modest growth in France, which is our biggest single market with our strongest Ballantine’s portfolio presence in Europe. We have Finest, blended malt, 12-year-old and even 17-year-old in France.”


Despite tough trading conditions in Russia at present, Moore says: “Overall, there is positive momentum around Ballantine’s Finest in Russia. As in Brazil, we’ve been involved in music-related activities in Russia, and we are also employing music activation in South Africa and Angola. In South Africa we collaborate with the famous DJ Black Coffee, using him in advertising and digital media. We’ve seen real momentum  for Finest as a result.” An important factor in the comparatively positive trajectory for Ballantine’s has been a repackaging exercise for Finest, accompanied, as Moore says by “putting positive energy into point of sale displays, which seems to be paying off”.


Another leading blended brand which has benefited from repackaging is Dewar’s – the best-selling blended scotch in the US. Last year saw the range receive a major overhaul, with brand activity focusing on the slogan True Scotch Since 1846. According to a Dewar’s spokesperson: “Under the banner of True Scotch, the new Dewar’s visual identity is designed to intrigue and engage consumers in the most direct way possible – bringing the values, aspirations and authenticity of this unique whisky to life, while showing how relevant these qualities remain.”


Bacardi global marketing manager for whisky Stephen Marshall adds: “The relaunch has been global, so it takes time to bleed through the system, but we’re seeing really positive signs in the US and Spain, two of our most important markets.”


It is impossible to consider the role of blended scotch on the global stage without considering Chivas Regal, and a Chivas spokesperson declares: “There has been good brand performance in the key growth markets of Brazil, India, Turkey, Mexico, South Africa and Australia, and also in mature markets, including France. Chivas Regal is ramping up its activity globally, employing Win The Right Way – our biggest integrated campaign yet, supported by The Venture, the founding of a $1million fund for social entrepreneurs. ”Last year also saw the release of the first new Chivas Regal blend since 2007 in the shape of Chivas Regal Extra, which employs a higher than usual percentage of sherry cask-matured whiskies in its composition, and which takes its place in the brand’s super-premium sector.


So much for the activities of some of the key blended scotch brands in export territories, but one blended scotch market that is rarely mentioned in positive terms by producers at present is the UK. Since 2009, the overall UK market for malt and blended scotch whisky has fallen by some 9.5%, according to HM Revenue & Customs figures, and established blends have borne the brunt of that decline.


However, it is not all doom and gloom, as Compass Box supremo John Glaser observes. “Our business is up around 25% in the UK and much of that growth comes from our Great King Street blends. This follows several years of significant UK growth for us.” The ‘niche’ Great King Street blends depart from more conventional offerings by giving the consumer far more information than most blenders would ever dream of disclosing, including the identity of component whiskies and the maturation regimes involved in their development. In terms of the decline of traditional blends in the UK, Glaser says: “I see it as a brand issue rather than a blend issue. The big name blends don’t have any relevance to younger people. If you present the right blend to the right people in the right way, it will sell.”


The latest figures posted by HMRC show the strongest exports of Scotch whisky since 2013, helped both by the Pound falling after the Brexit conundrum and also by strong growth in consumer demand worldwide, led by No.1 market the United States. In these still challenging times, the global art of presenting ‘the right blend to the right people in the right way’ has arguably never been so important. 


MOVE FORWARD TO AUGUST 2019  


Scotch whisky sales increased by 10.8% to £2.19bn in the first half of 2019, according to data released by the Scotch Whisky Association (SWA). The volume of exports also increased by 7.1% to 598m 70cl bottles.


Single malts continue to grow in popularity, with exports up 18.8% to £652m in the first six months of the year. Single malts now make up 30% of the value of all Scotch shipped overseas. Exports of blended Scotch grew too, rising 7.5% to an export valuation of £1.35bn.


Demand for Scotch whisky is growing both in developing markets, like India, and in established ones like the US, Japan and Germany. This reflects the enduring popularity of Scotch whisky in so many cultures around the world. It also reflects the industry’s continued focus on improving trading conditions – for example, removing tariffs and discriminatory taxes – across global markets.


A proportion of this year’s export growth also reflects actions taken by a number of distillers to mitigate the risk of a no-deal Brexit in March/April by exporting some stocks early, evidenced by a spike in EU exports in Q1. For example, there was significant growth in exports to South Korea and Morocco, both markets where tariffs could have been re-imposed if the UK had exited the EU without a deal on 29 March.


The EU saw significantly more growth in value and volume in Q1, (+27.9% and +14.5% respectively compared with Q1 2018), than in Q2 when they dropped by -13.2% and -20.5% compared to Q2 2018. This reflects shipments ahead of the 29 th March Article 50 deadline. Shipments to South Korea increased by 25%, and exports to Morocco increased by 74% in the first half of the year, again reflecting forward shipping ahead of potential tariffs following Brexit.


The USA remains the top export market for Scotch, with export value increasing sharply (+19.5%). The USA has benefited from increasing premiumisation in recent years, and distillers have launched a number of new products which have increased market share of Scotch in a competitive brown spirits market. Notably, consumers aged 25-34 now account for the largest age demographic, having come to appreciate the ageing process of whiskies.


pay more as they learn about the range and variety of single malts on offer. IWSR forecasts show global consumption of Scotch whisky reaching 103.1m nine-litre cases in 2023, up from 95.3m in 2018. While blends will still account for the lion’s share of Scotch, malts will grow at a faster rate (4.1% vs 1.2%), showing that consumers worldwide are increasingly willing to pay more as they learn about the range and variety of single malts on offer, and as they become more educated about how Scotch is made. While overall volumes are set to decline in Europe over the next five years, growth in the Americas and Asia Pacific will more than make up for this.


As noted by the SWA, the increase in shipments of Scotch should not be seen as a direct indication of an equivalent increase in consumption – much of the growth in Q1 will have been stockpiling in an effort to reduce the risks posed by a disorderly Brexit. Overall volume growth in Scotch between 2018 and 2023 is forecast at 1.6% CAGR, compared to 3.9% for US whiskey, 6.3% for Irish, and 6.7% for Japanese, as the slower growth of blends will outweigh the 4.1% growth in malts.


Scotch’s image as a status spirit is helping drive growth across many markets, especially the potentially huge Asian markets of China and India as these economies grow. But the traditional image of Scotch also arguably puts off younger consumers in existing markets where other categories are seen as more dynamic. Various methods are being attempted by producers of blends to reach out to new consumers, partly via broadening the occasion of consumption into cocktails (especially via highballs) and partly by reworking the traditional image of blended Scotch by tie-ins with popular culture. The key recent example here would be Diageo’s Johnnie Walker brand and its “Game of Thrones” tie-ins. Johnnie Walker is by some margin the largest Scotch brand globally, with just under 20% share by volume, and its activity will be closely watched by the industry as a whole. Could Johnnie Walker’s innovation help drive a turnaround in the fortunes of blended Scotch? It would be unwise to rule it out.  



I have listed the Johnnie Walker releases in Wikipedia under Johnnie Walker.


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Wednesday, 12 July 2017

PHENOLS: PARTS PER MILLION PPM

LEARNING ABOUT PEAT AND PHENOLS

Peat, also known as turf, is an accumulation of partially decayed vegetation or organic matter. It is unique to natural areas called peatlands, bogs, mires, moors, or muskegs. Peatlands, particularly bogs, are the primary source of peat, although less-common wetlands including fens, pocosins, and peat swamp forests also deposit peat. Organic matter accumulates over thousands of years to create peat deposits. Under pressure, water is forced out of peat, which is soft and easily compressed, and once dry can be used as fuel. In many countries, including Ireland and Scotland, peat has traditionally been used for cooking and domestic heating, and peat is stacked to dry in rural areas. It is harvested on an industrial scale. But it is the use of peat in the Scottish whisky industry that helps to produce a drink that has a unique flavour within the world of spirits and why different distilleries have different characteristics in their whiskies.

The peat is cut by hand using specialised tools and the resulting 'sod' is then left to dry in the open air for approximately two-three weeks. After this time, the peat is collected and then taken to the distillery. Most of the time the peat used is local to the distillery or cut from property owned by the distillery. Peat is so tightly compacted and dense that it burns for a long time and with consistent heat and acrid smoke. This is also why it is still used as a domestic fuel in some areas of Scotland, especially the islands.

Some Scotch whisky distilleries, such as those on Islay, use peat fires to dry malted barley. The drying process takes about 30 hours. This gives the whiskies a distinctive smoky flavour, called "peatiness". Peat smoke produces contains chemicals called phenols which  are absorbed by the malted barley during the drying process in a kiln. The level of phenols are controlled by the length of time that the barley is exposed to the smoke, the amount of smoke produced and the type of peat used. The smoke that has been absorbed is then carried through the entire whisky making process and right into your glass.                                                                                   
Scotch Ales can also use peat roasted malt, imparting a similar smoked flavour.
Peat can be a very divisive flavour component in the world of whisky. It is most commonly found in the single malt scotch category, although it is also present in whisky from Japan, India, Ireland, and even the Pacific Northwest. As malted barley is heated to dry it out and stop the germination process, peat is burned to infuse the grain with smoke and flavour it. As stated, the peatiness of the whisky depends on how long it has been exposed to the smoke, and measured in PPM (phenol parts per million). A measurement of one ppm means that there is one milligram of phenol per kilogram of malt. The higher the PPM, the smokier the whisky. Generally speaking, concentrations of less than five ppm are virtually undetectable for most drinkers.

There is a wide range of smoky whisky to enjoy, from light and crisp to medicinal and heavy to one of the highest PPMs distilled in recent history. If you think you don’t like smoky whisky, perhaps you just haven’t tried the right one yet. A peaty dram is best enjoyed in the winter, as the cold temperatures, limited sunlight and dreary skies lend themselves to these flavours, especially when warming up by an equally smoky fire.

These days, Malting Houses deliver specifically ordered malting to a distillery, meeting the barley and malting specifications of the distiller. At a malting’s laboratory, samples of malt are analysed for phenols, moisture, nitrogen content, and predicted spirit yield. Having malted barley peated to a higher ppm can contribute to a peatier-tasting whisky, but the ppm of the raw material is not a measurement of peat or smoke flavour in the bottle. Using the malt’s phenol ppm to predict final flavour is neither practical nor wise. The ppm of the malt remains independent of the processes involved in making whisky; the milling, mashing, fermentation, distillation cuts and maturation, each of which can affect the degree of smoke and peat flavours that reach the bottle. Leaving peat monsters like Ardbeg Supernova (100 ppm), and Bruichladdich’s Octomore 6.3 (258 ppm) / 8.3 (309 ppm) aside, recent labels on whiskies from Ailsa Bay and AnCnoc show the ppm measured in the final liquid.

Here are some examples of PPM values of some well known distilleries, as stated by WhiskyFor Everyone and others:

    Bunnahabhain (1–2)
    Bruichladdich (3–4)
    Springbank (7–8)
    Benromach (8)
    Hakushu 12 YO, Japan (8)
    Ardmore (10–15)
    Tomatin Cù Bòcan(15)
    Highland Park (20)
    Bowmore (20–25)
    Talisker (25–30)
    Caol Ila (30–35)
    Paul John Peated Cask Strength, India (30-35)
    Jura Prophecy (35)
    Ledaig (35)
    Lagavulin (35–40)
    Port Charlotte (40)
    Laphroaig (40–43)
    Ardbeg (55-65)
    Longrow (55)
    Benromach Peat Smoke (67)


Saturday, 8 July 2017

NO SHORTAGE OF SCOTCH WHISKY EVER

NEW DISTILLERIES ON THE ANVIL

Plenty of distilleries are lining up to cash in on the Whisky Boom, mainly Single Malts. Some of these are:

Annandale The Annandale distillery was closed in 1924, but production resumed in 2014.

Annandale Distillery
Arbikie Arbikie is a large estate near Dundee. In 2014 they decided to build their own distillery.

Ardnamurchan The bottler Adelphi called itself a distillery long before they actually built one.

Ardnamurchan

Ballindalloch Ballindalloch is one of Scotland’s smallest distilleries.

Daftmill The Daftmill micro-distillery has chosen not to release any of its whisky just yet.

Dalmunach Pernod Ricard / Chivas built the Dalmunach distillery in 2015 - and it’s beautiful.

Dalmunach Distillery

Dornoch Dornoch distillery is a crowd funded project near the Dornoch Castle hotel.

Eden Mill The Eden Mill whisky distillery was established in 2014 - but it’s also a brewery.

Falkirk Development by Falkirk Distillery Company happens where Rosebank used to be.

Glasgow The Glasgow Distillery Company hardly seems like a ‘proper’ distillery right now.

GlenWyvis GlenWyvis says they will be the world’s first community owned distillery - eventually.

Harris The new Harris distillery on the Isle of Harris is also located on the Isle of Lewis.

Kingsbarns The Kingsbarns distillery started producing whisky in January 2015.

KINGSBARNS

Loch Ewe Loch Ewe is kind of a ‘model’ distillery / tourist attraction. Whisky was never bottled.

Roseisle The massive Roseisle distillery was founded in 2009, but there’s no malt whisky yet.

Strathearn The Strathearn micro-distillery was producing malt whisky by the end of 2013.

Torabhaig The construction of Torabhaig on the Isle of Skye started in 2014 - and is unfinished.

Distilleries on Islay:

Four more distilleries are coming up on Islay to cash in on the Islay caravan of peated expressions. These are:

Port Charlotte, which whisky is on the market at murderous cost, but which buildings are not yet up. Bruichladdich is doing the spadework, but the new distillery will come up.



                      

Ardnahoe will have its first still flowing end 17/ early 18.



Gartbreck, held up by a land dispute among brothers.


Farkin Distillery owned by Sukhinder Singh.

The updated and expansive version of all new distilleries has also been posted on this very blogpost.
 


 

Saturday, 27 May 2017

NEIGHBOURS LAPHROAIG AND LAGAVULIN FIGHT IT OUT

THE LAPHROAIG LAGAVULIN BATTLE: PART 1

LAPHROAIG

The name Laphroaig is Gaelic and means “The beautiful hollow by the broad bay”. Laphroaig is one of the oldest distilleries on Islay and this story shows that, despite whisky distilling being often romanticised, it was also a dangerous occupation.

Let me stress here that our Indian countryside was as neat, if not more than that of Scotland and interior England in those years. Real life photographs are undisputable proof. After the Scottish Civil War of 1745, three Johnston Brothers came to Islay, ostensibly for farming and the three occupied different parts of Islay. Two of their sons, Donald and Alexander, started their own farms at Laphroaig around 1810 and started distilling soon afterwards. When Alexander died in 1836 Donald became the sole owner of Laphroaig. At that time the Campbells, who owned Donald's land, leased a plot to James and Andrew Gairdner who built a rival distillery next to Laphroaig. They installed two experienced Clackmann distillers, James and Andrew Stein, to take charge. Donald Johnston, owner of Laphroaig at the time, was deeply disturbed finding out that the new distillery, Ardenistiel, proposed to use the same watersource. Water that made a vital contribution to Laphroaig's unique character. Specially when Donald was about to expand his business leaving him with inadequate water supply.

Donald appealed to the judiciary re the probems he had with the sharing of the water supply and the fact that the expansion of his business wasn’t possible without proper water supply. The dispute lasted almost 6 years and ended abruptly when Andrew Stein fell ill with fever and died soon afterwards. His brother James, who couldn’t cope with distilling alone, stopped and moved to Port Ellen. In June the following year Donald himself died in a tragic accident at the Laphroaig distillery. It was a hard life in those times. ...and no Life Insurance in them old days!

Laphroaig in 1887 with the ruins of Ardenistiel distillery in the right hand bottom corner

The Ardenistiel Distillery was also known as Kildalton (1849-52) and Islay (1852). This distillery was taken over by Laphroaig in 1853.

Laphroaig became a successful whisky distillery and the neighbouring Lagavulin distillery sought to cash in on their neighbour’s success and built identical stills to try and get the same taste as Laphroaig. The Lagavulin distillery, however, got its water "from the other side of the hill" which was the reason for the different character of Lagavulin whisky and its failure in copying Laphroaig. It is also said that the location of the maturation houses from Laphroaig, being so close to the sea, make a difference in the taste.

LAGAVULIN

‘Lagavulin, or “The Mill Hollow”, one of the oldest places of habitation in the island is situated on the margin of the sea, together with its picturesque surroundings, combine to make it one of the most desirable locations upon the island, so justly designated the Queen of the Hebrides.’

The Lagavulin story begins, as so often in tales of Scotch whisky, with smuggling and illegality. Lagavulin is the oldest distillery on Islay, the business having been actually commenced by a smuggling fraternity as early as the year 1742 in about 10 separate bothies in the bay.

Lagavulin only went legit in 1816, when the various enterprises were combined into not one, but initially two distilleries, operating side by side and owned by the same family, the Johnstons. The second plant, confusingly named Ardmore, ceased production shortly afterwards.

First we must say that the salubrity of atmosphere, good water, and the finest quality of malt have much to do with the production of Lagavulin whisky. Lagavulin has a high reputation both at home and abroad; as a single whisky its reputation is unique, and it is one of the few Highland whiskies that can be drunk alone.’                Alfred Barnard, pioneering Victorian whisky writer

These were Victorian times, and people who didn’t talk about drinking a great deal. Writing about the Highlands seems to have given people permission to write about drinking. And when they write about drinking, people seem to have been drinking Lagavulin.

When Lagavulin came under the control of Peter Mackie in 1878, he clearly wanted to celebrate the fame of his distilleries, as well as creating the White Horse blend. These were the only two brands of Scotch Whisky that USA allowed entry during its infamous Prohibition Era, doled out as a medicinal prescription by doctors.
                  

The Lagavulin/White Horse association, made manifest by the painted equine emblem on the roof of the distillery, remains to this day: while most of Lagavulin’s production is destined for bottling as a single malt, it is still part of the White Horse blend.

‘Restless Peter’s reputation is coloured by some of his actions. Irked by the loss of the agency for neighbouring Laphroaig, he built a painstaking replica distillery within Lagavulin, using his knowledge of its operations and even poaching someone from the distillery two miles down the road to seal the deal.

But Malt Mill, as this early micro-distillery became known, didn’t produce Laphroaig. Or Lagavulin, for that matter. It was used in a couple of Mackie blends, particularly Ancient Scotch, as it had a very unusual phenolic character, very different to Lagavulin.

Used for blending and never – as far as we know – bottled as a single malt, Malt Mill ceased operations in 1962 and remains one of the more enigmatic ‘lost’ distilleries, epitomising the elusive nature of distillery character. It is also referred to as ‘a tribute to Peter Mackie’s bloodymindedness’.

Mackie’s reputation as an eccentric is only part of the story. He set up the first lab for whisky quality, and he was obsessed with whisky quality and consistency. And Lagavulin reaped the rewards.

Lagavulin is generally drunk throughout the island and is much prized by the inhabitants… Lagavulin whisky is sold largely in Scotland, England and the chief foreign markets, and is in such demand that the orders exceed the output, which reaches 100,000 gallons annually. 

Lagavulin today, while dwarfed by bigger brands such as Glenfiddich and The Glenlivet, is a stalwart single malt, a global favourite that was part of the sextet that formed the initial Classic Malts line-up. But why Lagavulin and not, for instance, Caol Ila?

‘Quality and reputation,’ responds an aficionado . ‘In the discussions that went into choosing the Classic Malts there were two or three factors in play. One would be quality and reputation – which is quite amorphous, but we all know which distilleries are famous and which aren’t. Then attractiveness: could you take visitors there? It would never have been Caol Ila.’

The deliberations fell short, however, on the matter of supply. Tying Lagavulin to a 16-year-old age statement didn’t help either – and the distillery has remained on allocation for much of its recent past. They never imagined that we would be selling 100,000 cases or whatever it is. In fact, ‘they’ wondered if anyone would want to drink Lagavulin at all. Delving back further into the 1980s when people were starting to agitate over the evident success of Glenfiddich and Glenmorangie, The Ascot Cellar collection (a Classic Malts precursor) included a 12-year-old Lagavulin – but only reluctantly. The old established DCL hands didn’t believe that people would drink Talisker, Lagavulin or Caol Ila. They thought all these brands were far too challenging.

In the end, a number of factors conspire to give a much-loved distillery like Lagavulin its special status: the liquid, without doubt, but also the place, the people and the history. And, in more practical and prosaic terms, its usefulness as both blending component and stand-alone single malt. This is the key to why Lagavulin (and Caol Ila) survived the cull of the early 1980s when Port Ellen didn’t. The DCL committee would have looked at a number of issues – the cost of alcohol insofar as they were able, the water supply (which wasn’t very good at Port Ellen), but the key was the recommendations of the blending committees. They asked which whiskies they wanted and which they didn’t need. Caol Ila and Lagavulin were very important. But if you’d asked people about Port Ellen even in the 1990s, nobody would have given a fig for it, and apparently it wasn’t a particularly pleasant place to work.’

And so, 200 years on from legal establishment, and considerably longer since distillation began at its location, Lagavulin remains, its buildings huddled into the dramatic landscape of the Kildalton coast in a romantic situation. The exigencies of the location make expansion problematic, although by no means impossible. Lagavulin is to some extent, trapped in its own history. 

PART 2

Often, Islay-whisky lovers face the question as to which of Laphroaig or Lagavulin distilleries is better. They are really close neighbours, about 1.5 km apart and make similar whiskies in re peat content, smokiness and a taste which wouldn’t be out of place in an apothecary’s stopshop. So such a question must needs arise. But there is no template for comparing this breed of whiskies, which have flavours and tastes from a different planet. Still, one may study their histories, which have quite a bit in common.

THEIR HISTORIES: A BITTER ISLAY RIVALRY

The histories of Lagavulin and Laphroaig are closely tied, with Laphroaig said to have been founded by the son of the founder of Lagavulin. They were both called Johnston, you see.

After Laphroaig's Donald Johnston (the aforementioned son of John Johnston) fell into a vat of boiling whisky in 1847, Lagavulin's Walter Graham leased Laphroaig and ran both distilleries until the young Dugald Johnston (Donald Johnston's son) was ready to take over Laphroaig. However, a generation or so later, around the end of the 19th Century, the two distilleries got into an unseemly and litigious scrap after Laphroaig tried to get out of an existing agency agreement to sell their whisky to Lagavulin for the latter's blends (which included White Horse, invented in 1890 by Lagavulin's then-owner Peter Mackie). This resulted in a string of court cases.

After the agency had finally run out in 1907, and with Laphroaig refusing to renew it, Lagavulin retaliated and blocked off Laphroaig's water supply, necessitating another return to court to sort out the rights. Laphroaig won this round, only for Lagavulin to pinch its distillery manager the following year and set about trying to create copies of Laphroaig's stills in a bid to make a spirit that would taste exactly the same. Fortunately, this attempt was not successful and today relations between the two great distilleries are rather more cordial.


LAPHROAIG

Laphroaig distillery is an Islay single malt Scotch whisky distillery. It is named after the area of land at the head of Loch Laphroaig on the south coast of the Isle of Islay. A commonly suggested etymology implies an original Gaelic form something like "Lag Bhròdhaig" (the hollow of Broadbay). The name may be related to a placename on the east coast of Islay, "Pròaig", again suggested as meaning "broad bay". The distillery and brand are owned and operated by Beam Suntory, the American subsidiary of Japan's Suntory Holdings.

The Laphroaig distillery was established in 1815 by Donald and Alexander Johnston. In 1847, co-founder Donald Johnston died in dramatic circumstances and for the next decade Walter Graham, manager of neighbouring distillery Lagavulin, ran the company. Laphroaig returned to Johnston family hands in 1857 when Donald’s son Dugald gained ownership. The last member of the Johnston family to run the distillery was Ian Hunter, a nephew of Sandy Johnston, who died childless in 1954 and left the distillery to one of his managers, Bessie Williamson. 

Laphroaig’s unique flavour comes in part from its vicinity to the coast and the high moss content of its peat, which is processed in the distillery’s own floor maltings. More comparative details are available here.

The distillery was sold to Long John International in the 1960s, subsequently becoming part of Allied Domecq. The brand was in turn acquired by Fortune Brands in 2005, as one of the brands divested by Pernod Ricard in order to obtain regulatory approval for its takeover of Allied Domecq. Fortune Brands then split up its business product lines in 2011, forming its spirits business into Beam Inc. Beam was then purchased by Suntory Holdings in April 2014.

Laphroaig has been the only whisky to carry the Royal Warrant of the Prince of Wales, which was awarded in person during a visit to the distillery in 1994. The distillery identifies Charles by his title of Duke of Rothesay, as he is recognised in Scotland. The 15-year-old was reportedly the prince's favourite Scotch whisky. 

Friends of Laphroaig: In 1994 the Friends of Laphroaig Club was established, members of which are granted a lifetime lease of 1 square foot (930 cm2) of Laphroaig land on the island of Islay. The annual rent is a dram of Laphroaig which can be obtained upon visiting the distillery.

LAGAVULIN

Lagavulin is owned by Diageo PLC, the company formed by the merger of United Distillers & Vintners and Guinness. It was previously marketed under the Classic Malts range of single malts, which is now defunct. The standard bottling is a 16-year-old, bottled at 43% ABV. They also bottle a Distiller's edition, finished in Pedro Ximénez Sherry casks. Alongside these, they regularly release a 12-year-old cask strength version and various older and rarer expressions.

The name Lagavulin is an anglicisation of Lag a' Mhuilinn, the Scottish Gaelic for hollow of the mill. The distillery of Lagavulin officially dates from 1816, when John Johnston and Archibald Campbell constructed two distilleries on the site. One of them became Lagavulin, taking over the other—which one is not exactly known. Records show illicit distillation in at least ten illegal distilleries on the site as far back as 1742, however. In the 19th century, several legal battles ensued with their neighbour Laphroaig, brought about after the distiller at Lagavulin, Sir Peter Mackie, leased the Laphroaig distillery. It is said that Mackie attempted to copy Laphroaig's style. Since the water and peat at Lagavulin's premises was different from that at Laphroaig's, the result was different. The Lagavulin distillery is located in the village of the same name. 

Lagavulin is known for its producer's use of a slow distillation speed and pear shaped pot stills. The two wash stills have a capacity of 11,000 litres and the two spirit stills of 12,500 litres each. Lagavulin is almost exclusively matured in ex-bourbon casks, meaning its robust, uncompromising smoke and salted-fish character comes storming out of the glass unhindered. 

Allocations of the standard 16 Year Old are never adequate to satisfy demand for the product, resulting in frequent shortages. Diageo solves this problem by also releasing a cask strength 12 Year Old almost every year, along with the vintage-dated Distillers Edition series, which has been finished in sweet Pedro Ximénez sherry casks and has won numerous awards in its own right. To mark its 200th anniversary in 2016, Lagavulin released an eight-year-old whisky that is very highly rated, as affirmed by The Whisky Exchange.

Its whiskies are made with water from the Solan Lochs, while the peat – so crucial to their distinctive flavour – comes from the extensive peat bogs in the west of the island. Its phenol rating is 35 ppm, like Laphroaig. This is a steep climbdown from the phenol count of 50 ppm right up to 1990, when it started to drop its ppm gradually to 35 by 1996. So, do cast your eyes about for a pre-2006 bottling, a tricky job, at best. That Lagavulin is a bomb, compared to today's 'mild' offerings.

There are four stills at Lagavulin, two of them pear-shaped in the style inherited from Malt Mill, which run for longer than any others on Islay. Lagavulin whiskies will be in the stills for more than five hours for the first distillation and more than nine hours for the second. This long distillation is said to contribute towards the whisky’s roundness and mellow edges.

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Saturday, 20 May 2017

DIAGEO SPECIAL RELEASES 2017

THE TEN WHISKIES

Diageo, the leading Scotch whisky company, announced most of the line-up for this year's Special Release bottlings a few months ago. Today they have announced more details of each whisky, plus the 10th and final bottling the will make up the 2017 series - this is the Collectivum XXVIII, a blended malt which contains whiskies from each of Diageo's 28 Scottish malt distilleries that are currently in production. Every year the Special Releases, which first appeared in 2001, are eagerly anticipated by whisky fans and collectors.

This year's releases are:



Blair Athol 24 YO ABV: 58.4%

Brora 34 YO: ABV: 51.9%

Caol Ila 18 YO ABV: 59.8%

Collectivum XXVIII: NAS, ABV: 57.3%

Convalmore 32 YO: ABV: 48.2%

Glen Elgin 18 YO: ABV: 54.8%

Lagavulin 12 YO: ABV: 56.5%

Port Dundas 52 YO: ABV: 44.6%

Port Ellen 37 YO: ABV: 51%

Teaninich 17 YO: ABV: 55.9%


Relevant details of each whisky, including prices, are available at https://www.thespiritsbusiness.com/2017/09/diageo-reveals-full-details-of-special-releases-2017/